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題 名 | 具開創力的城市=Creative Cities |
---|---|
作 者 | 黃麗玲; | 書刊名 | 城市與設計學報 |
卷 期 | 7/8 民88.03 |
頁 次 | 頁1-24 |
分類號 | 545.5 |
關鍵詞 | 文化開創力; 創新; 城市; 氛圍; 科技; Cultural creativity; Innovation; City; Milieu; Technology; |
語 文 | 中文(Chinese) |
中文摘要 | 在這篇文章中,彼德.霍爾認為在歷史上都市一直是人類創新的來源,因此他對都市的發展軌跡進行檢視,並將都市創新區分為三種類型。他並指出,雖然趨勢是三種都市創新將相互融合,然而其中技術的╱組織的都市創新在下一世紀將扮演最關鍵的角色。他也進一步說明了高技術以及多媒體革命,對人們社會生活所產生的衝擊。但是他提醒讀者,與一般成見相反的,傳播的數位化與網絡化並不會造成距離的死亡,或是城市的消失。事實上,城市仍是人們產生頻繁接觸的場所,在藝術、科技及娛樂等方面仍位於生產與消費的核心位置。然而,令人擔憂的是,平行於城市空間高極化的趨勢的城市社會兩極化的現象。但一些案例似乎也暗示了弱勢社群╱社區有可能經由高科技或多媒體的教育與應用,跳脫原有困境。然而,地方政府能否擺脫原有官僚化的窠臼、進行組織重整,卻是其中關鍵所在。 |
英文摘要 | Peter Hall suggests that cities have always been vital sources for human innovation. He scrutinizes the trajectories of urban innovation and divides them into three distinctive types (cultural/ intellectual; technological-productive; and technological-organizational). Of three types, the third one is expected to play the most important role in the next century. Despite the major impacts the revolution of digitalization and multi-media will make on our social life, it does not seem likely, as many would argue, that the death of distance and the disappearance of city will ensue. Cities will remain the places where intensive human contacts take place. And they will still be centers of production and consumption of art, technology and entertainment. Although Hall recognizes the dark side to the otherwise rosy picture-the social polarization of urban society, he nevertheless holds firmly to the optimistic future promised by the new technology changes. He concludes the articles by telling a success story of a small British town where bureaucratic rigidity is overcome and where multi-media becomes a means of self-empowerment for the socially and economically disadvantaged people. |
本系統中英文摘要資訊取自各篇刊載內容。