頁籤選單縮合
| 題 名 | 「孽海花」兩種版本的女性形象異變--以傅彩雲為中心=The Difference and Change of the Female Image in the Two Versions of Niehai Hua--Focused on Fu CaiYun |
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| 作 者 | 黃錦珠; | 書刊名 | 國立中正大學學報 |
| 卷 期 | 10:1(人文分冊) 民88.12 |
| 頁 次 | 頁83-107 |
| 分類號 | 823.317 |
| 關鍵詞 | 孽海花; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 晚清時期女權初興，探受傳統禮教箝制的中國婦女開始有了走出家庭、追求自我的機會。但是婦女群中有一類特殊成員--娼妓，因為職業關係老早就已經活躍於家庭生活圈之外。她們一方面有超越一般婦女行為尺度的活動範圍與方式，另一方面卻又地位卑賤，受到更多變相的束縛與輕視，比其他一般女性－傳統社會的「第二性」還要低一等。晚惱小說《孽海花》雖以反映當時歷史為標的，卻以傅彩雲作為女主人公。傅彩雲出身娼妓，後來嫁予洪鈞為妾，並以公使夫人身分，隨洪鈞出使俄、德、奧、荷四國。洪鈞死後，又重張豔幟，成為名妓。她的遭遇使他成為晚清時期的名女人。《孽海花》以這位名女人為題材，其形象塑造是否反映了當時社會看待娼妓的某些價值觀及性別意識，是本論文關注的課題之一。又，《孽海花》在晚清時期暨民國時期分別有兩種不同的版本，兩個版本之間的差異是否反映了作者前後期思想觀念的轉變，為本論文關注的另一課題。綜合上述兩個課題，本論文選取傅彩雲的形象為討論核心，兼及其他相關的女性形探，藉以觀察《孽海花》中的性別意識及其在兩種版本間的差異變化，並藉由對《孽海花》中性別意識的觀察，管窺晚清時人對傅彩雲其人的形象認知與社會評價，及此中所反暈的性別意識。 |
| 英文摘要 | In the late Qing Dnasty, women's liberation started to rise. Chinese women limited by traditional morals and ethics began to step out of their home, looking after their own self. But among them was a special group-prostitutes. On account of their occupation they had been active outside their family life. On the one hand, they had a wider range of activities and ways. On the other hand, they were of low social status, much lower than other general females-traditionally regarded as "second gender", and thus were unusually limited and despised. Though the target of the novel "Niehai hua" (The flower in the world of retribution) written in the late Qing Dynasty was to reflect the social history of that time, yet the leading character was Fu CaiYun, who once was a prostitue. Later, she became Hong Jun's concubine and went to Russia, Germany, Austria and Holland with Hong as his first wife. After Hong died, she returned to her former occupation and became a well-known courtesan, also one of the well-known women in the late Qing Dynasty because of her unusual life experience. One of the topic of this article is whether this novel reflected the values and gender-consciousness of the society to prostitutes. Also, this novel had two versions, one in the late Qing Dynasty and the other in the early time after the Republic of China was set up. The other topic of this article is whether the difference of the two versions reflected the changes of the author in thoughts and ideas. This article is mainly on the image of Fu and other related female images so as to observe the gender-consciousness as well ad the differences and changes between the two versions. Then we can have a better idea how people in that age recognized Fu's image, what was their social evaluation of her image and what was reflected as to gender-consciousness in the novel. |
本系統中英文摘要資訊取自各篇刊載內容。