頁籤選單縮合
題 名 | Wax Spear-head: The Construction of Masculinity in Yuan Drama |
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作 者 | Song,Geng; | 書刊名 | Tamkang Review |
卷 期 | 30:1 民88.秋 |
頁 次 | 頁209-254 |
分類號 | 822.4 |
關鍵詞 | 雜劇; Gender; Subversion and co-option; Junzi; Anxiety; Initiation; Fragility; Caizi-jiaren masculinity; Yuan drama; Xixiang ji; Ideology; Irony; |
語 文 | 英文(English) |
英文摘要 | The construction of masculinity is a fascinating topic which as yet has been little explored In the context of traditional Chinese literature. The effeminate Image of the caizi in the popular representations of the caiz-jiaren theme has been regarded as a symbol of the “lack of masculinity” in traditional Chinese culture by today’s audience This paper explores how the discourse of caizi came into being by focusing on the Image of Student Zhang In the Yuan zaju drama Xixiang ji, the work that popularized the caizi-jiaren pattern In light of the Foucauldian realization that gender and sexuality are culturally constructed and politically invested, the paper not only Identifies certain distinguishing charactenstics of the gentry-class notion of masculinity in the discourse of caizi, but attempts a political and historical reading of them. Reading the text as a site of power negotiation and situating It historically. I It IS argued that the frivolity and amorousness of the caizi shows the dialectical relations between subversion and containment. while his fragility and anxiety signify the cultural and political tensions of the Mongol Yuan period. |
本系統中英文摘要資訊取自各篇刊載內容。