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題 名 | 略論漢代銅鏡中的西王母圖像=A Brief Discussion of the Iconology of the "Queen-of-the-West" in Han Dynasty Bronze Mirrors |
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作 者 | 李淞; | 書刊名 | 藝術學 |
卷 期 | 20 1999.08[民88.08] |
頁 次 | 頁59-74 |
分類號 | 793.61 |
關鍵詞 | 漢代銅鏡; 西王母; 東王公; |
語 文 | 中文(Chinese) |
英文摘要 | The iconology of bronze mirrors differs from that of funerary objects. In order to discuss the evolution of Queen-of-the-West iconology on Han bronze mirrors, the author analyzes three main categories of its imagery, namely the regular, tomb relief, and deity types of imageries. (1)Regular imagery: represents the earliest form Queen-of-the-West related imagery on bronze mirrors, dating from the Wang Mang period to the beginning of the Eastern Han. Queen-of-the-West imagery is presented here as illustrative decoration in combination with the image of the medicine-stamping rabbit. The style of the imagery of this period is related in origin to that of the second period of Western Han He-nan tomb decoration. (2)Tomb relief imagery:represents the high period of Queen-of-the-West related imagery on bronze mirrors, and lasts through the middle and late Eastern Han periods. The author proposes four main principles for classification and dating of these mirrors. Shaoxing in Zhejiang province is the main production site of type of bronze mirror, and displays manifest regional stylistic characteristics. The appearance of the King-of-the-East image introduces a decorative pattern dividing the mirror into four deparate decorative parts, where King and Queen are placed at either side, and imagery such as horse-and-chariot, or dragon-and-tiger are placed in between. The image is generally depicted in 3/4 perspective, and at both sides of the main figure of King and Queen, heavenly attendants are added. (3)Deity imagery:represents the period of decline of Queen-of-the-West imagery on bronze mirrors and related imagery evolves from simple to complex. Initially, images of Boya and Zhongziqi are added to the central image of the Queen-of-the-West, then the King-of-the-East as well as Yellow Emperor are also added, and by the end of the Han and the Three Kingdom periods, more than ten different deities are added to the imagery, and eventually supersede the central imagery of the Queen-of-the-West. |
本系統中英文摘要資訊取自各篇刊載內容。