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題 名 | 探討玻璃的概念--以繪畫與近代建築玻璃材料為對象=A Study the Concept of Glass |
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作 者 | 劉克峰; | 書刊名 | 實踐學報 |
卷 期 | 30 1999.06[民88.06] |
頁 次 | 頁107-150 |
分類號 | 923.4 |
關鍵詞 | 玻璃; 透明性; 西洋建築; Glass; Transparency; |
語 文 | 中文(Chinese) |
中文摘要 | 以「玻璃」為探討議題,探討對象以繪畫媒材的相關玻璃主題概念,以及從材料 的觀點檢視西方早期現代建築的發展。討論的範圍是從 1851 年到 1919 年左右的建築。西 方近代建築發展的運動開端,玻璃的發展是經過工業革命,玻璃的開口關係,玻璃水晶宮的 慾望,室內空間的水晶宮概念,玻璃立面,建築牆面與窗戶的辯證,量體透明表現,尋求「 玻璃」在歷史架構的含義。 |
英文摘要 | The paper is an investigation study the concept of glass. The agent which had acted on this solution was an assay by Colin Rowe and Robert Slutzky, which appeared in the Yale architecture periodical "Perspecta" in 1963 and offered an interpretation of the device of Transparency in what then seedmed quite novel terms. Transparency had been treated somewhat cavalierly in the literature of the Isms. The discuss examined this rather loose terminology to establish two main uses of the word: "Literal" Transparency, which had to do with the display of overlapping, see-through objects on a picture plane, and with the display of parts of a building through large areas of glass or trellis; and "Phenomenal" Transparency, which signified overlap and inter penetration as formal conventions, metaphors, in which there were on transparent materials, no see-through bits, but in which primary geometries submitted to variations through shift and rotation to connote spatial complexity. |
本系統中英文摘要資訊取自各篇刊載內容。