頁籤選單縮合
題 名 | 民初北方畫壇對國畫傳統之變革與延續=Continuity and Innovation for the Tradition of Chinese Painting of North Painting Circle during the Early Years of the Republic of China |
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作 者 | 劉瑞寬; | 書刊名 | 興大歷史學報 |
卷 期 | 9 1999.06[民88.06] |
頁 次 | 頁67-101 |
分類號 | 944.98 |
關鍵詞 | 畫學; 變革; 延續; 北方畫壇; Painting theory; Innovation; Continuity; The North Painting circle; |
語 文 | 中文(Chinese) |
英文摘要 | During the early days of the Republic of China, there is a debate on the innovation of Chinese painting in North painting circle due to a specific social context in which coexist both tradition and modernization. Among all the artists at that time, Lin shu. Chin ch'eng and Ch'en shih-tseng are considered representatives for the defense of tradition. The essay bases on the painting theories and the works of art of the three painters mentioned and investigates their discussions on the paintings of Four Wangs in the Ch'ing Dynasty, their recognition of modern Western art, and the relation of painting theories to paintings. A comprehension is to be achieved in this essay about the process in which the traditional painters of the North Painting Circle try to choose between continuity of the tradition of painting and adoption of foreign cultures. This essay is expected to explicate, through this comprehension, the North Painting Circle's establishment of the future development for the traditional Chinese Painting during the early years of the Republic of China. |
本系統中英文摘要資訊取自各篇刊載內容。