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題 名 | 面具與真實: 論臺灣同志運動的「現身」問題=Masking the Real: The Politics of Coming Out in Taiwan's Gay Rights Movement |
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作 者 | 趙彥寧; | 書刊名 | 中央研究院民族學研究所集刊 |
卷 期 | 84 1997.秋[民86.秋] |
頁 次 | 頁111-135 |
分類號 | 544.71 |
關鍵詞 | 同志運動; 身體政治; 能動性; 提喻; 字面化; 時間性; Gay rights movement; Body politics; Agency; Temporality; Synecdoche; Literali-zation; |
語 文 | 中文(Chinese) |
中文摘要 | 有正式組織及成員的臺灣同志運動(Gay Rights Movement)於過去兩、三年中興起 ,而且進入公領域進行多次遊行及抗議活動。自一開始,參與運動的同志究竟可不可以、應 不應該要「現身」,便是其論述及策略的焦點。而一致性地解決方式,便是戴上面具。本文 分為三個部分。首先對性別認同的真實性及虛幻性,及其與身體展演(bodily performance) 的能動性 (agency) 進行分析與批判。 其次分析臺灣同志運動集體認同的形 成機制。最後,討論為何藉由戴面具而生的集體認同常造成參與者的不安、甚且反認同,以 申論集體認同之儀式性活動的現象學基礎。本研究之田野資料於 1996 年 11 月至 1997 年 5 月間搜集,被訪者一共 22 位,均為直接或間接的同志運動成員,年齡分布為十九歲至三 十六歲。 由於臺灣同志運動的前身為大學校園運動 (特別在北部 ) 及婦運,被訪者的社經 學歷,亦反映了這個特性。 |
英文摘要 | Taiwan's Gay Rights Movement was first founded during the mid-nineties in direct response ot re-constituting the public space as directed by the Taipei City Government. Since its outset, the core members of the movement have conceptualized the public space, where they negotiate with the state apparatus through sex-gender bodily performance, a phantasmatic space visualized by the mass media and the media-like state power. In order"not to be voyeurized by the media," representatives of the movement urged participants to put on masks in protest. In this paper I analyze the means by which collective identities are constructed (or de-constructed)via such a form of bodily performance. I argue that, without a certain sensory medium such as a recognizable face, the subject of the movement will find entering into the afore-mentioned phantasmatic space highly unnerving. The ways in which the subject problematizes collective identity highlight also the efficacy of identity-formation rituals as derived from literalization of critical bodily symbols. In the case of Taiwan's Gay Rights Movement, one of such symbols is no more than the face which is ordered to be covered up. |
本系統中英文摘要資訊取自各篇刊載內容。