頁籤選單縮合
題 名 | Symbiotic Links in Georgy Sviridov's Poema Pamiati Sergeia Esenina=喬治.斯維里多夫作品 "懷念撒革亞.葉謝尼亞之詩" 中音樂與詩的關聯 |
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作 者 | Jermihov,Peter; | 書刊名 | 中山人文學報 |
卷 期 | 6 1998.02[民87.02] |
頁 次 | 頁169-184 |
分類號 | 910.9948 |
關鍵詞 | 共棲共生; 標題音樂; 說明; 音樂性象徵; 愛國主義; 淨化作用; Symbiosis; Programmatic music; Illustration; Musical symbolism; Patriotism; Catharsis; |
語 文 | 英文(English) |
中文摘要 | 回憶詩集是俄羅斯蘇維埃時期(1917~1991)的重要作品,它是俄羅斯歷史演進史詩式的描寫作品,也是二十世紀標題音樂技巧的語彙。在作品中,喬治.斯維里多夫(生於1915年)非常尊敬著名的俄羅斯愛國詩人撒革亞.業謝尼亞(1895~1925),雖然音樂是在詩人逝世後創作的,但仍可在作品中察覺詩與音樂緊密結合的力量。而詩與音樂此兩種藝術媒介的融合,可由作品中的說明(illustrations),象徵(symbolism),及一些作曲家和詩集的雙面關聯性,兩位藝術家及兩人之間的思想觀念與情操,諸如兩人的愛國主義等。 撒革亞.業謝尼亞的詩對喬治.斯維里多夫而言是相當珍貴的,作曲家試圖對詩人的自殺給予新的意義。為了對此詩與詩人的補足,喬治.斯維里多夫在此悲劇性的作品中,給予了老舊改革前至改革後即一九一七年以後的俄羅斯新的希望與再生的意義。本文之宗旨在於界定與敘述在詩中的雙面相關性(links);並為標題音樂作品的研究提供一個可能的研究方法。 |
英文摘要 | Poema is a key work in Russia's Soviet Period (1917-1991): it is an epic portrayal of Russia's historic path and a lexicon of twentieth-century programmatic techniques. In it, Georgy Sviridov (b. 1915) pays homage to a prominent Russian poet, Sergey Esenin (1895-1925), with whose poetry he develops a posthumous yet powerful bond. The fusion of these two artistic mediums, poetry and music, produces a work that is saturated with illustrations, symbolism, and a number of "symbiotic links:" between the composer and the poetry, the two artists and a given idea or sentiment, such as patriotism, and, curiously, between the two artists. Esenin's poetry becomes so dear to Sviridov that he attempts to give meaning to the poet's suicide. In creating a redeeming program for Poema and the poet, Sviridov also describes the tragic but hopeful path of old, pre-Revolution to new, post-1917 Russia. The purpose of this essay is to identify and describe a few of the numerous "links" in Poema and, in so doing, provide a way to assess its compositional merits. |
本系統中英文摘要資訊取自各篇刊載內容。