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題 名 | 黃庭堅題竹畫詩之審美意識=The Esthetic Conciousness of Huang Ting-jian's Poetry for Paintings |
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作 者 | 李嘉瑜; | 書刊名 | 中山人文學報 |
卷 期 | 7 民87.08 |
頁 次 | 頁79-100 |
分類號 | 944.951 |
關鍵詞 | 黃庭堅; 題畫詩; 題竹畫詩; 審美意識; 詩畫交融; 文人畫; 墨竹; 文同竹派; Huang ting-jian; Poetry for paintings; Poetry for bamboom paintings; Esthetic concionsness; Poetry with paintings; Paintings of scholars; Ink bamboom; Wen-tong bamboom painting schoolmm; |
語 文 | 中文(Chinese) |
中文摘要 | 在宋代詩畫結合的審美原則下,文人畫具有強烈詩化的傾向,這一點在墨竹畫中表現的最為突出,本論文以黃庭堅題竹畫詩為據,試著釐析其中所流露的文人審美意識。 在討論進程上,本文先考察竹這一物象在中國文人眼中的地位演變,並進而探究其入詩、入畫的情形。竹從自然界客觀存在物到成為一具義的象徵符號,可以看出人文世界的德性被逐一的賦予在竹身上,當竹這一喻義明確的符號被自覺使用時,無論詩、話都有托物以喻己志的意涵。黃庭堅所提的竹畫多文同竹派畫家的作品又與此派關係密切,對文同竹派托物寓興之主張應有體會,又黃庭堅本人雖不能畫,但由於自身的用功,他對畫的評賞廣受肯定,他的題畫詩是宋代在質與量上少數能與蘇軾抗衡者。本文以(一)形似、傳神與寫意(二)詩畫的關係(三)書畫的關係等三者做為主要的觀察角度。 |
英文摘要 | In the Song Dynasy under the esthetic principles of painting with poetry, the painting of scholars attempts to take the poetic conception in it, especially in the painting of Chinese ink bamboos. This context tends to analy the esthetic conciousness of Chinese scholars. Before the discussion, we could measure the status of bamboos in Chinese scholsrs' minds . Then we continue to explore its expression in paintings and poetry. From some books, the bambooms originate from the concrete object to symbolic sign. Thus we could find that Chinese scholars use them in their works to represent the good virtues and show their own minds at the same time. Huang Ting-Jian who had done a lot of works about bamboos had a great influence on the Wen-Tong bamboom school. He agreed on the insistence of that school and stressed to express the truth with the object. To sum up , his poetry for bamboo paintings reveals more his esthetic conciousness of poetic conception. This context tries to share his thinking in the terms of (1) mimic, vivid and free strokes;(2)the relation between paintings and poetry,(3)the relation between paintings and calligraphy. |
本系統中英文摘要資訊取自各篇刊載內容。