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題名 | 明治前期言文一致体の發生と挫折--「浮雲」を中心に=明治前期言文一致文體的發生與挫折=The Occurence and the Failure of Colloquial Style in the Frist Half Period of Meiji |
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作者姓名(中文) | 陳伯陶; | 書刊名 | 淡江學報 |
卷期 | 36 1998.05[民87.05] |
頁次 | 頁71-97 |
分類號 | 861 |
關鍵詞 | 文体; 言文一致体; 漢文; 日文; 和漢混淆体; 通俗日文体; 通俗和文体; Style; Colloquial; Chinese writing; Japanese writing; Japanese and Chinese clas sics; Popular Japanese; |
語文 | 日文(Japanese) |
中文摘要 | 在日本文學史上、明治二十年代是具有重要意義的時代。尤其作家二葉亭四迷寫出『浮雲』這本小說、被學者公認為日本近代文字的開始、又因他排除過去一貫使用的文盲文、而揉用當峙的口藉、故被稱為「言文一致體」的始祖。本論文以『浮雲』為中心、探討『浮雲』的文體、是否真為言文一致之文章、並將當時的文豪坪內逍遙•森鷗外•尾崎紅葉•幸田露伴的文體做一此較、找出『浮雲』半途夭折的原因及簡述其統合的經過。 |
英文摘要 | In the history of Japanese Literature, the 20's of Meiji Period is a very significant era. As Ukigumo (Drifting Clouds) was finished, Futabatei Shirnei was regarded s one of the creators of Japanese Modern Literature. Moreover, he preferred colloquial style to literary style used continusously till that time. For this reason, he was regarded as one of the creators of colloquial style. Looking at Ukigumo as the main stream, this thesis will discuss if Ukigumo is really colloquial, compare those styles of famous writers at the same time including Tsubouchi Shouyou, Mori Ougai, Ozaki Kouyou and Kouda Rohan, figure out the reasons of the failure of colloquial style, and simply describe the process of its integration. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。