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題 名 | 四川石窟中「地獄變相」圖的研究=A Study of "The Transfiguration of Hell" in the Caves of Sichuan |
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作 者 | 胡文和; | 書刊名 | 藝術學 |
卷 期 | 19 1998.03[民87.03] |
頁 次 | 頁41-82 |
分類號 | 794.63 |
關鍵詞 | 四川石窟; 地獄變相圖; |
語 文 | 中文(Chinese) |
英文摘要 | Written records dating to the Tang and Song periods, preserve important information on "The Transfiguration of Hell". They record the historical origins and transmission of this pictorial tradition from Tang through Song. But since these textual sources are restricted in subject to contemporary wall-paintings in temples, and do not make record of the content of these representations, related rescarch has to look to other sources for further analysis of the subject. After the six Dynasties, Chinese Buddhist monks were no longer satisfied with a simple translation of the philosophically difficult and obscure language of Sanskrit sutra's. In order to attract converts, and as a response to religious needs of different levels of the society of the time, they made use of more popular forms of expression, to compose a number of "As I have heard" type sutra's. Different "Sutra Annotations" of the Sui and Tang periods, dismiss these as "apocryphal". By far the most influential of the sutra's was the "Foshuo Shiwang Jing", which originated in the Tang period. The appearance of this sutra engendered the creation of a number of related bian-wen and bian-xiang, causing the transformation the concept of "hell" from Indian Buddhism into an ethnically Chinese local, institutional, systematic, and secular tradition. It is the aim of this paper to discuss this evolution, through an analysis of the transfiguration of hell as now preserved in the Caves of Sichuan province. |
本系統中英文摘要資訊取自各篇刊載內容。