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頁籤選單縮合
題名 | Orientalism and the Avant-Garde--Mishaps and Misgivings=東方主義與前衛之聲: 災難與焦慮 |
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作者姓名(中文) | 何以立; | 書刊名 | 建築 |
卷期 | 10 1997.12[民86.12] |
頁次 | 頁96-100 |
分類號 | 922.932 |
關鍵詞 | 建築藝術; 臺灣; |
語文 | 英文(English) |
中文摘要 | 以下這篇文章是以小型的評論形式,呈現筆者對登載在Dialogue建築雜誌不同期 (創刊號及第八期)兩篇文章的看法。在<東方主義的新世代>這篇文章中,作者希望透過"東 方主義"這種寬廣的文化涵構概來定義近年來臺灣的藝術現象;在<前衛的聲音>一文中,作 者企圖為所謂的 "美國前衛建築作品"在臺灣找到一種特殊的文化意涵。 這兩位作者雖然討論角度不盡相同,但都呈現了誤導讀者的現象-或是像筆者文題所標舉的 :一種智性上的災難。無論如何,這兩篇文章呈現了臺灣知識界生態的普遍現象。筆者也 將依據這兩文章所論及、因臺灣經濟與文化發展不均衡所產生的問題,將心中產生之焦慮 與不安以下文呈現。 |
英文摘要 | The following article is a series of vignettes which the writer presents in the form of a review of two previous articles which appeared in different issues of this magazine. One article seeks to place the present Taiwanese art scene in a broader cultural context of so-called "Orientalism," while the other attempts to situate the work of a so-called avant-garde American architect in the specific context of Taiwan. In the view of the writer, both articles are misguided in differing degrees, or as the title suggests, they are intellectual "mishaps." It would appear, however, that they represent the norm rather than the exception in Taiwan's intellectual state of health. The writer offers his misgivings towards the disparity between the economics and culture in Taiwan as exemplified by these two articles. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。