頁籤選單縮合
題 名 | The Xinjiang Uighurs and Their Musical Sorts |
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作 者 | Tsai,Tsung-te; | 書刊名 | 華岡藝術學報 |
卷 期 | 4 1997.06[民86.06] |
頁 次 | 頁165-197 |
分類號 | 910.92 |
關鍵詞 | 維吾爾族; 音樂; |
語 文 | 英文(English) |
中文摘要 | 儘管中國新疆維磿爾自治區在過去一直有「歌舞之鄉」的雅號,但外界對維磿爾 音樂仍然停留在一知半解的階段。從 1949 年中華人民共和國建立以後,由於新疆特殊的地 理位置、豐富資源、以及風波不斷的民族衝突,使得人們的目光都集中在沙漠地區的核子試 爆、石油的開採、與維磿爾的獨立運動,而忽略了真正與維磿爾民族生活完全結合的音樂文 化。過去,雖然有一些中國、日本、法國、俄羅斯、與哈薩克學者曾經做過維磿爾音樂的相 關研究,但大多只針對維磿爾木卡姆音樂中的喀什木卡姆來探討,至於其它地區木卡姆與各 種不同音樂型態,不是偶被提及,就是沒中研究,因此對維磿爾音樂常無法一窺全貌。本文 及根據筆者多年來對維磿爾音樂研究, 以及 199 年在新疆田野調查所得資料,嘗試對新疆 維磿爾各種不同型態音樂做完整的介紹,特別對維磿爾木卡姆音槳做廣泛的了解。本文共分 五段:一、新疆地理環境;二、維磿爾族歷史背景;三、維吾爾音樂類型;四地區性木卡姆 、五結論。 |
英文摘要 | Although Xinjiang is called "the Homeland of Song and Dance," we have little knowledge to its musical tradition. In the past researches, scholars, such as Colin Mackerras, Jean During and Sabine Trebinjac, and Abdulaziz Khashimov just concentrated on Kashgar Muqam, a regional version of Uighur classic music "On lkki Muqam"(Twelve Muqam), but ignored some other musical sorts, such as folk song and religious music. �� However the importance of the musical sorts still clear in the contemporary period is due to the fact that varieties of musical sorts still clear in the contemporary period is due to the fact that varieties of musical tradition have been an essential part of the lives of Xinjiang Uighurs. To have a basic understanding to Uighur music as a whole, this article wil provide description and analysis of Uighur musical sorts based on my fieldwork in Xinjiang in 1995. The texts will be divided into following parts: geographical environment of Xinjiang, historical-cultural background of Uighurs, varieties of Uighur music, regionalversions of On lkki Muqam, and conclusion. |
本系統中英文摘要資訊取自各篇刊載內容。