查詢結果分析
來源資料
頁籤選單縮合
題 名 | 音樂美學析論--從折衷式美學的角度探討音樂的基本要素、形式及內涵=Discussion on the Basic Elements, the Form, and the Reference of Music from the Eclectic-Aesthetic Angle |
---|---|
編 次 | 下 |
作 者 | 曾毓芬; | 書刊名 | 嘉南學報 |
卷 期 | 23 1997.11[民86.11] |
頁 次 | 頁231-239 |
分類號 | 910.1 |
關鍵詞 | 折衷式美學; 音樂的基本要素; 音樂的形式; 音樂的內涵; Eclectic aesthetics; The basic elements of music; The form of music; The reference of music; |
語 文 | 中文(Chinese) |
英文摘要 | Since the nineteenth century, music aesthetics has been developed into various schools of thoughts, and almost every of them approaches music from different aesthetic view, which can be classified into two extremely different trends:One focuses on the formal aspect of music (e. g. formalism), while the other has a preference for the content of music (e. g. hermeneutics). In addition to these two trends, a new aesthetic methodology based on phenomenology, which emphasises the temporal aspect of music (phenomenological analysis),appeared at the beginning of the twentieth century. All these aesthetic schools of thoughts have excellent ideas and theories, but, limited by their philosophical presuppositions, none of them can cover every aspects of music. Untill the end of the twentieth century, an eclectic school of thoughts started to catch people's attention - Aesthetes with eclectic view treat the argument between "program music"and "absolute music" in an open and more tolorent way. Moreover, they developed methodologies which establish bridges between the various levels of musical significance, which are, the referential level of music and the intrinsic levels of music syntax and time. They described the musical phenomena first, then analized the musical syntax, and finally interpreted the musical reference. Among all the methodologies, the eclectic method for musical analysis proposed by Lawrence Ferrara is a very clear and complete one. In this thesis, eclecticism will be adopted to discuss the constitutional elements of musical phenomena, syntax, and reference. This will be the foundation for further aesthetic discussions. The thesis consists of five parts: 1.Historical background:The aesthetic discussions about music since ancient Greece, and the aesthetic schools of thoughts starting from the nineteenth century will be introduced here.2.Theoretical framework: The methodological system of eclectic aesthetics will be presented. 3.The basic elements of music (phenomenological level):temporal elements.tonal elements, and expressive elements. 4.The form of music (syntactical level):the "Form" of music and "musical forms".5.The reference of music (referential level): musical representation, virtual feeling, and onto-his-toricla world. An schenkerian analysis on Scriabin's prelude in B Major, Op. 2, No. 2 will be included as a referenc. |
本系統中英文摘要資訊取自各篇刊載內容。