查詢結果分析
來源資料
相關文獻
- Authenticity and Mozart's K 279
- The Creative Process of Young Beethoven-From Mozart's Violin Sonatas KV 379, KV 380, and KV 296 to Beethoven's Piano Sonatas Op.2
- 莫札特鋼琴奏鳴曲K.333第一樂章析論
- 從曲式架構看--莫札特A大調第十一號鋼琴奏鳴曲
- 莫札特鋼琴奏鳴演奏法論析
- 莫札特鋼琴奏鳴曲中的管絃樂風格
- 從莫札特的五首奏鳴曲論古典時期四手聯彈風格
- 海頓與莫札特鋼琴變奏曲之風格發展
- 舒曼[Robert Schumann]升F小調鋼琴奏鳴曲,作品11之研究:影響舒曼創作之因素及作品中創作新意的探討
- 綜觀貝多芬後期鋼琴奏鳴曲之風格特色
頁籤選單縮合
題 名 | Authenticity and Mozart's K 279=真確性與莫札特K279 |
---|---|
作 者 | 梁毓玲; | 書刊名 | 嘉義師院學報 |
卷 期 | 11 1997.11[民86.11] |
頁 次 | 頁485-507 |
分類號 | 911.8 |
關鍵詞 | 真確性; 莫札特; 鋼琴奏鳴曲; Authenticity; Mozart; Piano sonata K279; |
語 文 | 英文(English) |
中文摘要 | 真確性的探討是加強對早期音樂表達的有效研究方法之一。本文運用莫 札特 K279 作品第一樂章呈示部為研究內容,分別對樂器、版本及當時鍵盤樂器之彈奏技巧 做檢視。首先就 " 當時鍵盤樂器 " 之部份,討論及確定大鍵琴、翼琴、古鋼琴與鋼琴的特 質及彼此之異同; 次就對原典版本之定義與目前版本的可信度做說明;再就有關 " 鋼琴詮 釋 " 之部份援引了古鋼琴及大鍵琴的運音及力度, 對如何應用於現代鋼琴的彈奏上做成建 議;最後強調樂器、版本及鍵盤彈奏技巧的相互關係和其對早期音樂的影響。結論中,討論 探討音樂真確性的優點與其對音樂表達的積極影響。 |
英文摘要 | Issues of authenticity are investigated as a way of enhancing the expression of early music. The paper examines the role played by the unique characteristics of the instruments, editions, and keyboard techniques of the time. The Exposition of Mozart's K 279, First Movement, is the music used to explore these issues. Under "Keyboard Instruments of the Times", a discussion of the harpsichord, clavichord, fortepiano, and pianoforte will identify the qualities which make them different from, as well as similar to, each other. "Editions" looks at the issues of "urtext" and reliability. "Pianistic Interpretation" studies articulation and dynamic factors as though they may had been written for both the harpsichord and fortepiano. Emphasis is placed on the close relationship of the three issues on the affect of music. Concluding remarks discuss the benefits to exploring authenticity in music and the positive influence it can have on expression. |
本系統中英文摘要資訊取自各篇刊載內容。