頁籤選單縮合
題 名 | 論宋代理學對中國繪畫思想的影響=The Influence of the Idealistic Confucianism (Li Xue) of the Song Dynasty on Chinese Painting Philosophy |
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編 次 | 下 |
作 者 | 江玉鳳; 江美玲; | 書刊名 | 樹德學報 |
卷 期 | 20 1997.07[民86.07] |
頁 次 | 頁165-226 |
分類號 | 944.95 |
關鍵詞 | 中國繪畫思想; 宋代; 影響; 理學; Chinese painting philosophy; Song dynasty; Influence; Idealistic confucianism (Li Xue); |
語 文 | 中文(Chinese) |
中文摘要 | 本文以理論分析法,來析顯宋代繪畫,從北宋迄南宋一路發展過來,所受理學的 影響程度。 引「時間」為經,以「人物」作緯,並佐以圖片說明,利用具體的實證,來歸納 出宋代繪畫的走向。 其間所著重的重點包括: (一)從魏晉「思辨性玄學」,經過唐代「為藝術而藝術」的鮮麗風格,再過渡到宋 代「為人生而藝術」的美學觀。 (二)理學的精神,將引導繪畫從「無我之境」淡入「有我之境」的過程。 (三)綜合理論分析法與歸納法,肯定宋代「山水畫」,是追求詩意人生與自我實踐 的一個寄託之處。 |
英文摘要 | Based on theoretical analysis, the author analized and explained the influence degrees on the painting which were caused by the Idealistic Confucianism during the time from the Pei-Song Dynasty to the Nan-Song Dynasty. Emphasized on both "time" and "people", the author concluded the tendency of the Song's painting by explaining with pictures and solid examples. The key points in this period were listed as follows: Ⅰ.The aesthetic concepts were developed from "the abstruseness of speculative connotation" in the Wei-Tsing Dynasty, Passed through the brightcolored style of "art is just for art" in the Tang Dynasty and then got to the state of "art is for life" in the Song Dynasty. Ⅱ. The spirit of the Idealistic Confucianism would lead the painting from the state of "drawing without individual feeling" to the state of "drawing with individual feeling". Ⅲ.The author conbined the methods of theoretical analysis as well as inductive method to affirm that the Song's "landscape painting" provided a "place" for painters' mind when they pursued poetic lives and fulfilled themselves. |
本系統中英文摘要資訊取自各篇刊載內容。