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題 名 | 莫札特鋼琴奏鳴曲K.333第一樂章析論=An Analysis of Form, Harmony and Performing Techniques of Mozart Piano Sonata K.333 First Movement |
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作 者 | 劉瓊淑; | 書刊名 | 臺北師院學報 |
卷 期 | 10 1997.06[民86.06] |
頁 次 | 頁607+609-641 |
分類號 | 911.65 |
關鍵詞 | 莫札特; 鋼琴奏鳴曲; |
語 文 | 中文(Chinese) |
中文摘要 | 古典時期的鋼琴奏鳴曲是鋼琴曲目中的經典作品。這些樂曲組織架構嚴謹,並需要 紮實的技巧來演奏,是鋼琴學習者必彈的曲目。本文分析莫札特鋼琴奏鳴曲K.333的第 一樂章,全文分為緒論、曲式及和聲分析、曲式及和聲的特色、技巧類型與練習方法、以及 結語等五部份。詳細探討樂章的曲式結構、動機、樂句、樂段等,並就和聲的結構如調性特 色、終止式類型、裝飾音的使用、音域的範圍、和聲的改變頻率及特殊和絃的使用等詳加研 究。最後將樂曲中各類彈奏技巧分類,依音階、琶音、分解和弦、連續雙音、震音、及音型 種類等不同項目分別討論練習重點,並提供指法與練習方法;期使鋼琴教者與學者更能深入 瞭解莫札特此首奏鳴曲的內涵與演奏方法。 |
英文摘要 | The Classical piano sonatas are basic repertoire for piano students. They have well-organized structure and require demanding techniques to perform. This paper investigates the biographyical and historical background of Mozart piano sonata K.333, and gives detail analysis of the sonata's first movement. The formal structure of the movement including basic motives, phrases, periods, and sections and the harmonic structure of the movement including keys, modulations, types of cadence, ornamentations, range of register, change of harmonic rhythm, and usage of special chords are thoroughly analyzed. The performing techniques required by this piece such as fast running scale, arpeggio, double third, double sixth, double octave, trill, and type of figuration are also examined. The fingering for certain figurations and special designed exercises for improving the techniques are provided by the author. |
本系統中英文摘要資訊取自各篇刊載內容。