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題名 | Time, Being, and Language: Toward a Phenomenological Reading of Endgame and Waiting for Godot=時間.存有.語言--貝克特劇本的現象學思維 |
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作者姓名(中文) | 簡政珍; | 書刊名 | 國立中興大學臺中夜間部學報 |
卷期 | 2 1996.11[民85.11] |
頁次 | 頁79-100 |
分類號 | 875.55 |
關鍵詞 | 現象學; 海德格; 虛像; 事實上; 與存有並存; 存在; 沈默; 閒談; 真實的存有; Phenomenology; Heidegger; Simulacrum; Factical; Being-with; Presence; Silence; Idle talk; Authentic being; |
語文 | 英文(English) |
中文摘要 | 貝克特的劇本經常被冠予荒謬和虛無,當代的讀者進而將其歸類於典型的後 現代劇場,因此「沒有意義」。本文一方面指出現有以現象學的論點討論貝克特 劇場的不足,另一方面嘗試以海德格的觀點探討所謂的意義在後現代的「意義」 。傳統現象學的論述必須經由當代的檢驗,和後現代對話,才能證實其「存有」 ,當後現代或是解結構質疑其所謂的「存在」(presence)時,「存在」必須面對 對話,不能逃避,才能「存在」。本文經由海德格的哲學觀照,說明當劇作家在 舞臺上使「存在」的用心,看到本文「存在」的意義。 |
英文摘要 | Critics often label beckett's plays as "absurdity" and "nothingness." Contemporary readers tend to characterize them as postmodern plays and strip their "meaning." This paper will discuss the insufficiency of present phenomenological studies of his plays on the one hand; on the other, it will speculate on the "meaning" of the plays in the postmodern scene. Phenomenology must enter into a dialogue with contemporary discourse to assert its "being." While the postmodern critic or deconstructionist questions the so-called "presence, "presence" must face the presence of dialogue to be present. With reference to Heideggerean philosophy, this paper will point out; when the playwriught seems to transform the " presence" into a simulacrum and empty the textual meaning, through the simulacrum of the characters and the modulating interntionality, the reader reads the meaning of the text. |
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