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題 名 | 沈周「夜坐圖」與莊子「齊物論」思想研究=Research on "Sitting Up at Night" by Shen Chou and the Thought of Chuan Tzu's Chi Wu Luen |
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作 者 | 劉梅琴; 王祥齡; | 書刊名 | 故宮學術季刊 |
卷 期 | 14:2 民85.冬 |
頁 次 | 頁127-166+左9 |
分類號 | 944 |
關鍵詞 | 主體; 表現; 符號; 沈周; 莊子; Subjective; Presention; Symbolistic; Shen Chou; Chuan Tzu; |
語 文 | 中文(Chinese) |
中文摘要 | 藝術是人類主體精神活動的外化形式,屬於文化的高層建築,繪畫是藝術表現的 重要一環,其本質上乃是透過符號(象徵)語言來傳達一種精神性存在。中國繪畫筆墨就是 語言,它是畫家用來訴說他對自然物象的認識程度的藝術語言。特別是在古代文人們把繪畫 做為自身修養、闡發思想與生命境界的手段以後,筆墨的內涵也就日趨豐富,逐漸有了它自 己獨立的意涵與審美價值。為此,對中國繪畫的研究,不但要探討作品語言的表層意義,更 要深入探討這些符號語言背後一些比較抽象的思想與心靈活動。質言之,對中國繪畫的研究 不只是研究其表層意境,更要研究其深層意境,甚而還要探究其境外之境。因為,藝術境界 是一種立體性結構,有多層次的性質。 且從藝術人類學的角度來看,真正的藝術作品是萬古長新的,需要人們不斷以新的研究方法 與眼光去對待它,舊的眼光與研究方法只能從中看出,人們習慣於想看到的並且是已經看到 的東西,只有以新的眼光與研究方法才能不斷地揭示和發現。本論文的論旨,主要是對沈周 所繪之「夜坐圖」所欲闡釋莊子<齊物論>形而上思想之畫境,作一現代的詮釋。 |
英文摘要 | While art as the external form of human's subjective mental activities, belongs to the upper part of cultural structure, painting stands the importance for art presentation, whose essence is to carry a certain kind of mental existence through symbolistic language. Chinese painting is language itself which is used by artists to make a presentation on their comprehension to the Nature. Especially in the ancient times, since scholars regarded painting as the method to cultivate themselves, develop their thoughts and life state, the quality of Chinese painting has enrich day by day, and has developed its own independent significance as well as aesthetic values. Consequently, the research on Chinese painting not only involves the study on surface meaning expressed by the language of the work but also explores the more abstractive thoughts and mental activities behind those symbolistic languages. In brief, while making the research on Chinese painting. We can not just stay at the surface study, but to go into its deep meaningful state, and even explore the state behind its internal state just because artistic state is a kind of cubic structure containing multiple characters. From the view of artistic anthropology, the real art work always lasts and keeps new. It requires our constant new study and development. The traditional study and eyesight will not create any new ideas but cliche. If only the orginal and the creative study method will be able to expose the real spirit behind art. The goal of this treatise aims to make a contemporary interpretation to Chuang Tzu's metaphysical thought carried out in the painting "Sitting up at night" by Shen Chou. |
本系統中英文摘要資訊取自各篇刊載內容。