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題名 | On the Carnivalistic Nature of Ben Jonson's Volpone--A Bakhtinian Perspective=依據巴克定對小說的定義重探班強生的劇本--狐伯尼 |
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作者姓名(中文) | 陳順龍; | 書刊名 | 東海學報 |
卷期 | 36:1(文學院) 民84.07 |
頁次 | 頁29-37 |
分類號 | 873.55 |
關鍵詞 | 小說理論; 劇本; Bakhtin, Mikhail; Jonson, Ben; Volpone; |
語文 | 英文(English) |
中文摘要 | 巴克定對於小說這項文類的定義及其源起, 曾多所探討並且對於其間嘉年華會的 宴飲狂歡傳統,多有所及。然綜其所述,不難發現巴克定所指的小說,與其說是一項文類, 還不如說是一組文體上的特質,而這些特質在劇本、詩歌中一樣找得到,特別是在文藝復興 時期的作品中。因此,本文擬從巴克定的小說觀點,切入文藝復興時期作家班強生的劇作- 狐伯尼,藉以檢視狐劇在嘉年華會的宴飲狂歡傳統裡的重要性。 |
英文摘要 | This critical trial is designated as a literary experiment to explore Ben Jonsons Volpone with Mikhail Bakhtin's carnivalistic as well as novelistic spectrum. Although much of Bakhtin's discussion seems to rest with the novel as a genre, many critics do find that what Bakhtin has termed as the novel is sometimes parallel to a set of carnivalistic characteristics that permeste other genres as well. This paper thus aims to use Bakhtin's theory of the "novel" to examine Ben Jonson's play, Volpone, expecting to view it in its due light in the carnival tradition that is found so prevalent in the Renaissance according to Bakhtin. Emphasis will also be laid upon how Jonson has taken advantage of the mass psychology of a carnival frame of mind in the theater. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。