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題 名 | 試論唐代俠義文學的發展異趨--以詩歌、小說為主軸 |
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作 者 | 林香伶; | 書刊名 | 弘光醫專學報 |
卷 期 | 26 1995.06[民84.06] |
頁 次 | 頁175-203 |
分類號 | 820.9041 |
關鍵詞 | 俠; 游俠; 俠義文學; 游俠詩; 俠義小說; 豪俠小說; 唐代文學; Bsieb; Yu-baia; Knight-errant-literature; Knight-errant poetry; Knight-errant novel bao-bsianovel; Knight-errant; T'ang dynasty-literature; |
語 文 | 中文(Chinese) |
中文摘要 | 近年以來,海峽兩岸對於武俠文學的研究形成一股風潮。除少數學者外,泰半是集中於近代武俠文學的研析,較少對整個俠義文學發展作全面性的探討。 就整個中國文學開展而言,俠義文學其來有自。從上古神話傳說中具有神性本領的后羿、女媧到以義氣智勇、特異行為著稱的聶政、郭解,無論其事跡是真是假,早已發展出一套中國式的英雄型態。尤其是到了司馬遷、班固二人以歷史家的角度撰寫民間游俠,在《史記.游俠列傳》、《漢書.游俠傳》中對於刺客、游俠兩類英雄人物有所區隔。《後漢書》之後,正史雖仍有零星的游俠記載,卻不再為游俠立傳,游俠逐漸走入詩歌、小說、戲曲,漸次灌溉了俠義文學的肥沃土壤。 俠義文學發展至唐代,產生了極為重要的歷史變化。在詩歌方面,由於有魏晉南北朝游俠樂府及社會任俠風氣等因素作基礎,唐人創作游俠詩的風氣到達高峰,為日後俠義文學的發展奠定根基。中唐之後,俠義文學亦在唐人小說「作意好奇」的創作背景下,加強小說型態的創作,促使俠義文學發展得到更多面的寫作空間。最重要的是,唐代文體逐漸完備,為日後俠義文學在中國文學的蓬勃發展打下了堅實的基業。 本論文著眼於唐代俠義文學中不同文類出現的時間、主題、影響以及個別特質的表現等問題,以期提出此時俠義文學發展的概況。文中將以詩歌、小說兩大文類作主軸,從中探討其間異趨現象,試圖拋磚引玉,擴充俠義文學的研究方向。 |
英文摘要 | Recently, the study of the Knight-errant-Literature has increased dramatically in both Mainland China and Taiwan. Except a few, most researchers have concentrated their studies on modern Knight-errant-Literature, rather than on the discussion of the development of the Knight-errant-Literature. During Tang Dynasty, there were important changes in the Knight-errant-Literature written style. Writers of that time were very creative on Yu-Bsia Poetry, which created some basic models of the Knight-errant-Literature. Since Mid-Tang Dynasty, novel-model was also included, which increased the diversities of the written style of the Knight-errant-Literature. This paper will concentrate on the timing of appearance, title, effects, and characteristics of the different models of the Knight-errant-Literature, and their importance in the development of the Knight-errant-Literature. Poetry and novel will be the two major discussion topics and their importance in the development of the Knight-errant-Literature will be discussed. |
本系統中英文摘要資訊取自各篇刊載內容。