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題名 | 論唐寅書風之演變= |
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作者 | 譚錦家; |
期刊 | 臺北市立師範學院學報 |
出版日期 | 19950600 |
卷期 | 26 1995.06[民84.06] |
頁次 | 頁295-306 |
分類號 | 940.98 |
語文 | chi |
關鍵詞 | 唐寅; 書風; |
中文摘要 | 「伯虎丹青妙天下」,唐寅才情過人,為詩、書、畫三絕之文人畫家。 其藝學精湛,丹青妙手,實得力於書法用筆,蓋以書法用筆入之於畫,故其書風 與畫風一致。「沿根討葉,思轉自圓。」爰就唐寅書作,以探討其書風之演變。 本文旨在探討唐寅書風演變,分全文為前言,唐寅書風之演變、結語三節。首言 及寫作動機、源起;次就其書風之形成,分為摹、蛻變、成熟三期,逐項探討, 以明其書藝之成長;並進而舉以實例,以為證驗;末總結唐寅書風演變,鉤玄提要, 以賅舉全文。 |
英文摘要 | "Tong Po-hu's painting is beyond comparison." Tang Po-hu was a highly talentedChinese artist who achieved outstanding accomplishments in poetry, calligraphy andpainting. His calligraphy contributed greatly to his painting and both shared the sameelegant style because he applied his calligraphy techniques to his painting art. This paper discusses the development of Tang Po-hu's calligraphy style. It isdivided into three sections. The first section points out the motivation for conductingthis research. The second section centers on the three distinct stages of his calligraphystyle development-imitation, transformation and maturation. Each stage is presentedwith examples to clearly demonstrate the differences. The final section concludes thediscussion of this study. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。