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| 題 名 | 貝多芬[Ludwig van Beethoven]之歌樂創作與其聯篇歌集「致遠方的愛人」研究 |
|---|---|
| 作 者 | 洪約華; | 書刊名 | 臺中師院學報 |
| 卷 期 | 9 1995.06[民84.06] |
| 頁 次 | 頁541-566 |
| 分類號 | 910.9943 |
| 關鍵詞 | 貝多芬; 歌樂創作; 聯篇歌集; 致遠方的愛人; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 貝多芬的歌樂創作雖僅佔了歌樂發展史上的一小篇幅,然而卻扮演了一個特殊的過渡角色。他將原本屬於沙龍的娛樂歌樂之地位提昇,使得本以音樂為主,詩詞為輔之現象逐漸改變。音樂在增強詩的涵義,表達詩的意境之功能大為增加。尤其貝多芬在1816年寫出了藝術歌曲史上的第一組聯篇歌集「致遠方的愛人」後,聯篇歌集就成了一個重要的音樂形成,啟發了後來的作曲家如舒伯特、舒曼、布拉姆斯、沃爾夫、馬勒……等相繼寫出不少燴炙人口的聯篇歌集。 本論文中,筆者除了在貝多芬的歌樂創作,包括當時的創作技巧、詩詞的選用、詩樂間的關係等深入研究外,並對其聯篇歌集「致遠方的愛人」之詩詞來源、歌曲聯接之技巧、以及樂曲詮釋等亦深加探討。 |
| 英文摘要 | Although the song writings of Beethoven only hold a small position on the development of songs, he plays a specially transitional role. He not only increased the status of those entertaining sons which came from salons, but also changed the situation gradually that only focused on the music and the poetry was subordinative. To express the meaning of the poetry in the music is getting important. Especially, after Beethoven wrote the first song cycle "To the Distant Lover" of the song literature in 1816, the song cycle became an important music form and inspired the later composers, such as , Schubert, Schumnann, Brahums, Mahler and so forth to write more song cycles. In this research paper, the author will study Beethoven's song writings deeply, including the techniques of the composition, the choices of the poetry and the relationships between the poetry and the music, and further discuss the source of the song cycle "To the Distant Lover", the connection skills of songs and the interpretation of the music. |
本系統中英文摘要資訊取自各篇刊載內容。