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題 名 | Wenroudunhou 溫柔敦厚(Gentleness and Kindness) |
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作 者 | 王宏圖; | 書刊名 | Tamkang Review |
卷 期 | 24:3/4 民83.春-夏 |
頁 次 | 頁87-98 |
分類號 | 821.8 |
關鍵詞 | 溫柔敦厚; 杜甫; 孔穎達; 詩經; Confucius; Satire; Kindness; Gentleness; Understatement; Remonstration; J. J. Winckelmann; Du Fu; Shijing; Kong Yingda; Harmony; Wenroudunhou; |
語 文 | 英文(English) |
英文摘要 | The concept of wenroudunhou or gentleness and kindness in Classical Chinese literature, deals with artistic and aesthetic as well as political and ethical principles in literary writings. The concept was first made prominent in the “Jingjie” 經解 (Explanation of Classics) section of the Liji 禮記 (Records of Rituals).Kong Yingda 孔穎達 (574-648), an outstanding scholar of the Tang Dynasty, gave it a full exegesis. The Confucian School lays emphases upon political and ethical functions of literary writings. According to the teaching of Confucian Canons, although poetry can serve the purposes of voicing one’s grievances, satirical sentiments and remonstrations against the rulers, it must be expressed in a mild and submissive way. An appropriate literary style marked by “gentleness and kindness” is thus conceived and recommended. In Western poetics, there seems to be no such counterpart for this special kind of poetic understatement joined as it is with similar ethical connotations. Wenroudunhou as a doctrine of the Confucian poetics exerted a tremendous influence upon writers and critics in the past: Du Fu’s poetry epitomizes its basic tenets. |
本系統中英文摘要資訊取自各篇刊載內容。