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題名 | 柳宗元古文作品之體類區分及其意義= |
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作者 | 王基倫; |
期刊 | 臺北師院學報 |
出版日期 | 19940600 |
卷期 | 7 1994.06[民83.06] |
頁次 | 頁205-234 |
分類號 | 835 |
語文 | chi |
關鍵詞 | 古文作品; 柳宗元; 體類; |
中文摘要 | 本篇論文以《柳宗元集》為研究對象,透過作品的體類分析討論,以發掘柳文的藝 術成就。文分四節:(1)柳宗元古文之體類區分標準;(2)柳宗元古文之體類釐清;(3)柳宗元古 文體類區分後之現象所呈顯的意義;(4)結論。 研究過程為:先董理柳宗元自身及當時(中晚唐)的文體觀念,作為文體分類的基礎; 然後參考歷代選集教錄柳宗元古文的概況,將柳文作品之體類一一區分清楚並列成統計表 格。表格部分先歸納成姚鼐《古文辭類纂》的十三體類方式,再依人選次數多寡,順序排列 列。?後檢驗表格所出現的幾種文學現象,討論在文體發展史上的意義。研究結果發現:柳 宗元的文類觀念十分清楚,其所創作的古文作品,以奏議、碑誌、書說、贈序、雜記等體類 較多,他擴大了這些體類作品的題材內容,更在傳狀、贈序、雜記等類作品中,溶入純文學 精神,提昇了唐宋古文的文學價值,帶給後世深遠的影響。 |
英文摘要 | This paper is an attempt to study the writings of Liu Tsung-yuan (柳宗元) through a detailed generic analysis and discussion of this works. It consists of four parts: (1) some standards suggested for classifying the genres of Liu Tsung-yuan's ku-wen (古文);(2) a classification of Liu Tusing-yuan's ku-wen into different genres;(3) significance of literary phenomena unveiled after such generic classification;(4) a conclusion. Frist of all, Liu Tsung-yuan's concept of genres, as well ad the general idea of genres of his time, will be explored to serve as a basis for classifying the genres of Liu Tsung-yuan's ku-wen. Next, all his ku-wen writings selected in various anthologies after his death, will be categorized according to genres. The thirteen genres listed in the charts are identical with tose listed in Yao Nai's (姚鼐) Ku-Wen-Tz'u Lei-Tzuan (古文辭類纂), but they are arraged according to the frequency of selections. The result shows that Liu Tsung-yuan's concept of genres is quite concrete. Tsou-i (奏議), pei-chih (碑誌), shu-shuo (書說), tseng-hsu (贈序), and tsa-chi (雜記) constitute the majority of his writings. He expanded and enriched content and subject matters of the genres, and turned chuanchuang (傳狀), tseng-hsu (贈序), tsa-chi (雜記), etc. into belles-lettres. He promoted the literary value of T'ang and Sung prose, and exerted a great influence on the writers of later generations. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。