頁籤選單縮合
題名 | 倪瓚的繪畫與文學之結合 |
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作者姓名(中文) | 吳長鵬; | 書刊名 | 臺北市立師範學院學報 |
卷期 | 23 1992.06[民81.06] |
頁次 | 頁79-103 |
分類號 | 940.98 |
關鍵詞 | 文學; 倪瓚; 繪畫; |
語文 | 中文(Chinese) |
中文摘要 | 本論文專研倪瓚的繪畫、詩文、書法等三姐妹藝術之結合,並將倪瓚的 「松林亭子圖」、「倪瓚、王蒙合作山水圖」、「竹樹野石圖」、「江岸望山圖」、 「楓落吳江圖」、「雨後空林圖」等六件作品中之詩書畫做精深的鑽研、剖析、 歸納。並論述倪瓚之繪畫與文學關係,特別是闡述其創作之特色。 |
英文摘要 | This parer is concentrated on the link of Ni Tsan's painting, poetry and Calligraphy This Three kinds of art in six of Ni Tsan's works including "Pavilion in a PineGrove", "Landscape" ( with wang ), "Bamboo, Tree and Rock", "Moutains Viewed froma River Bank" "Falling Maple Leaves on the Wu River" and "Empty Grove after Rain",are throughly explored into and analyzed. In addition, the relation between and thecharucteristics of Ni Tsan's painting and literatare are desriked and explained. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。