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題名 | 戲曲舞蹈動作「功法」之初探=The Study of Dance Movement Technique in Chinese Opera |
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作者姓名(中文) | 林宜穎; | 書刊名 | 臺灣舞蹈研究 |
卷期 | 8 2013.12[民102.12] |
頁次 | 頁91-112 |
分類號 | 982.2 |
關鍵詞 | 戲曲; 舞蹈; 動作; 功法; Chinese opera; Dance; Movement; Technique; |
語文 | 中文(Chinese) |
中文摘要 | 追溯我國戲曲的發展軌跡,舞蹈動作已是戲曲表演藝術中不可或缺之一環。歷經時代的演變,戲曲基本功的訓練內容已經形成較固定的語彙及程式化的表演方式,且從戲曲中提取之動作素材及功法,如今已是臺灣舞蹈專業主修生必學的內容。本文透過文獻彙整與分析,企圖回到歷史的脈絡中去探討戲曲舞蹈動作的訓練內容及其功法,探究戲曲中基本動作的訓練內容、動作語彙特色、動作運行之原理原則、教學要求重點等等,並且重新釐清所謂「四功五法」之指涉與內涵,以及強調傳統「藝訣」所講求「藝德兼備」之人才培育觀。希望藉由本文讓藝術教育界能對我國傳統舞蹈動作教育之傳承多所認識與了解,進而對於相關領域的教學實務能有所貢獻與啟發。 |
英文摘要 | By tracing back the development of the Chinese opera from history, it is obvious to find out that dance has become an integrated part within the Chinese opera. Today, the materials of codified movements with specific terms derived from the training of Chinese opera tradition are required learning for dance majors. Through literature review, this study aims to explore the teaching contents and methods of the Chinese opera, including movement materials and vocabulary, moving principles and so on, and to search the essence of so-called "Sih Gong Wu Fa" (the four skills and five methods) in Chinese opera, which particularly will be clarified in this paper. The concept of value regarding the equal importance of skill instruction and moral education from the Chinese opera cultivation tradition will be also emphasized. It is expected that this study will enable people, especially those who are interested in the arts, to know more about traditional Chinese dance and its teaching contents and methods, and furthermore, it will benefit arts teachers to any possible applications in their teaching practice for the future. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。