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| 題 名 | 作詩法、文學概論與文學史：論森槐南《作詩法講話》及其環流現象=Poetic Composition Methods, Literary Theory, and Literary History: A Study of Kainan Mori's Sakushihō Kōwa and Its Circulation Phenomenon |
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| 作 者 | 詹千慧; | 書刊名 | 東亞觀念史集刊 |
| 卷 期 | 23 2025.12[民114.12] |
| 頁 次 | 頁317-352 |
| 分類號 | 861.77 |
| 關鍵詞 | 森槐南; 作詩法講話; 東亞詩學; 書籍環流; 漢詩作法書; Kainan Mori; Sakushihō Kōwa; The poetics of East Asia; Book circulation; Guidebooks for classical Chinese poetry composition; |
| 語 文 | 中文(Chinese) |
| DOI | 10.29425/JHIEA.202512_(23).0007 |
| 中文摘要 | 按美國學者韋勒克（René Wellek，1903-1995）之說，文學研 究可劃分為「文學史」、「文學批評（實際批評）」與「文學理 論」三個基本研究領域。其中「文學批評」談論的是「如何欣賞」 的問題，但如同中國古代詩話有「詩格」、「詩式」一類談「如何 創作」，那麼「作詩之法」，亦即「如何作詩」這個議題，也可 以被視為一種「實際批評」，屬於「文學批評」的範圍，森槐南 （Kainan Mori，1863-1911）的《作詩法講話》即是一例。細究此 書，又可知這不僅是一本談論「作詩法」的書籍，它同時是一本 既具「文學概論／文學理論」性質且具「文學史」性質的著作。緣 此，本文即從「作詩法」、「文學概論」與「文學史」三個面向， 探討《作詩法講話》一書及其相關問題。該書突破了傳統詩話零 散、印象式的批評，採取系統化的著述體例，反映明治維新後受歐 美學術影響的新變。對於「詞的起源」問題，森槐南也提出先驅性的見解；他將研究視角擴及詞曲、雜劇、小說等民間文學，又展現 了時代文學的進步觀念。透過「講話」的形式，森槐南結合中國傳 統詩學與現代學術方法，其著述不僅呈顯文學史中「容受」、「還 原」與「對接」的過程，更開拓了近代東亞文學批評的新視野。 |
| 英文摘要 | According to the American scholar René Wellek, literary studies can be divided into three fundamental fields: literary history, literary criticism (practical criticism), and literary theory. Among these, literary criticism addresses the question of “how to appreciate” literature. However, just as ancient Chinese poetic discourse includes categories like shige 詩格 and shishi 詩式, which discuss “how to create poetry,” the topic of “methods of composing poetry”— that is, “how to write poetry”—can also be regarded as a form of practical criticism, belonging to the domain of literary criticism. An example of this is Kainan Mori’s Sakushihō Kōwa 作詩法講話. A closer examination of this work reveals that it is not merely a book about “poetic composition methods,” but also one that embodies characteristics of both literary theory and literary history. Therefore, this article explores Sakushihō Kōwa and its related issues from three perspectives: poetic composition, literary theory, and literary history. The book Sakushihō Kōwa 作詩法講話 departs from the fragmentary and impressionistic mode characteristic of traditional shihua 詩 話 by adopting a systematic and structured approach to literary exposition, thereby reflecting the new intellectual transformations brought about by the influence of European and American scholarship in the aftermath of the Meiji Restoration. With regard to the issue of the “origins of the ci lyric,” Kainan Mori advanced pioneering perspectives by extending his analytical scope to include folk literary forms such as ci and qu lyrics, zaju drama, and fiction, thus embodying a progressive, historically oriented conception of literature. Through the discursive format of “lectures,” Kainan Mori integrates traditional Chinese poetics with modern scholarly methodologies. His writings not only illuminate the processes of reception, reinterpretation, and articulation within literary history, but also open up new horizons for modern East Asian literary criticism. |
本系統中英文摘要資訊取自各篇刊載內容。