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| 題 名 | 浪漫英雄--穿越文革的木心與貝多芬=The Romantic Hero: Mu Xin and Beethoven through the Cultural Revolution |
|---|---|
| 作 者 | 歐陽開斌; | 書刊名 | 東方文化 |
| 卷 期 | 51:1 2021.06[民110.06] |
| 頁 次 | 頁163-200 |
| 分類號 | 909.8 |
| 關鍵詞 | 貝多芬; 木心; 浪漫英雄; 蜉蝣; 文革; 生殉者; Beethoven; Mu Xin; Romantic hero; Mayfly; Cultural Revolution; Live martyr; |
| 語 文 | 中文(Chinese) |
| DOI | 10.30227/JOS.202106_51(1).0005 |
| 中文摘要 | 貝多芬與現代中國心靈不乏互動,卻少有完整案例可供討論,1949年以後幾告中道而絕。現代中國浪漫族裔與極權政治的精神交鋒,迄今缺乏有力個案。本文展示藝術家木心與貝多芬在1940年代-文革期間的心靈對話,呈現貝多芬在華傳播史的獨特片段,也據此揭示邊緣者木心於現代中國文藝與精神史的重要意義。本文核心討論包括:一)藝術家浪漫英雄形象在近代歐洲興起,并在現代中國作為過渡時代文化現象出現,貝多芬在華的英雄形象成熟於1930-40年代,俘獲包括木心在內的最後一代浪漫革命青年。二)根據《文學回憶錄》,呈現貝多芬於木心的浪漫原型意義。三)追蹤木心青年時期的貝多芬—克里斯朵夫情結,以及這一英雄崇拜的蜉蝣命運。四)繼而聚焦後1949年代木心追隨貝多芬克服極權之難,浪漫英雄向生殉者的蛻變。重點考察其文革中地下創作,呈現其拒絕毀滅、以藝術重造世界的抵抗之道,負擔命運,走向離散,走向再生。 |
| 英文摘要 | There is no lack of interaction between Beethoven and modern Chinese souls and minds, but there are few complete cases for discussion. The spiritual battle between romantic heroes and totalitarian politics in post-1949 China especially waits a tale of victory and triumph. This article presents the writer and artist Mu Xin's bildung story with Beethoven from the 1940s to Mao's cultural Revolution, contributing a unique fragment of Beethoven's reception in China, while revealing the significance of Mu Xin for the history of modern Chinese literature and art and spirituality. The discussion includes four major parts: 1) The romantic hero's rise in modern Europe and its appearance in modern China as a cultural phenomenon of the transitional era. Beethoven's heroic image in China completed in the 1930s-40s and captured the last generation of revolutionary romantic youth, including Mu Xin. 2) Beethoven as a romantic architype for Mu Xin based on his lectures on world literature, Literary Memoirs. 3) Mu Xin's Beethoven complex originated in his reading of Romain Roland's Beethoven and John Christophe as an art student in Shanghai in late 1940s, which leads him to join the communist revolution and suffer tremendously after 1949. 4) Under Mao's China, Mu Xin followed Beethoven to overcome totalitarianism and transformed, as a romantic hero, to be a live martyr. The analysis will focus on his underground art practices during the Cultural Revolution, his refusal of destruction, rebuilding the world with/in art, and his victory with a diasporic rebirth in New York after the cultural revolution ended. |
本系統中英文摘要資訊取自各篇刊載內容。