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| 題 名 | 清代閨秀詩話所記述的婚姻關係與女性心曲=Marriage and Sexual Psychology in Qing Women Poetry |
|---|---|
| 作 者 | 陶慕寧; | 書刊名 | 東方文化 |
| 卷 期 | 50:2 2020.02[民109.02] |
| 頁 次 | 頁55-71 |
| 分類號 | 851.5 |
| 關鍵詞 | 清代閨秀詩話; 女詩人; 婚姻關係; 女性心理; 女性聲音; The poetries of the young ladies in Qing Dynasty; Poetess; Marital relationship; Female psychology; Female voice; |
| 語 文 | 中文(Chinese) |
| DOI | 10.30227/JOS.202002_50(2).0003 |
| 中文摘要 | 清朝居於中國傳統社會的“季世”,文化傳統中守成與開新、壓抑與突破、正統與叛逆的兩極張力在彼時造極,其與急劇變化的社會現實結合,釀成了思想史上最複雜的局面。值得注意的是,此中的主角不惟文人士夫,還有相當數量的“掃眉才子”。她們背負著閨訓閫教的道德壓力,發出了自己的聲音。有關記載在正史檔案之外,頗經野史筆記和小說戲文的演繹,尤其在文人小說如《林蘭香》《歧路燈》《儒林外史》和《紅樓夢》中得到驚心動魄的展開。不過上舉文本,究竟多出男性作者之手。欲深入探賾清代女性的婚姻狀況與心理訴求,還以女作者之詩文與有關詩話最為第一手材料。幸乎清世去今未遠、文獻可徵,彼時女性作家群體的風貌遂得以發見,沿此亦可稍窺朝野上下對倫理操作的態度和士庶各階層的心態、趣尚。有關研究,固已蔚然大觀、熠耀當代,顧仍有補苴、繼作的餘地。本文即以清代閨秀詩話入手,考察女性作家之身份、群體與創作活動,分析她們的婚姻狀態或“出格”的兩性關係並探究其中隱伏的兩性心理。要之,冀以稍稍廓清以往對傳統女性家庭婚姻及其性別意識的誤會。陳義雖掛一漏萬,如與清代小說戲曲的研究互參,則不難領悟彼時儒家倫理所遭遇的種種挑戰:父權-夫權在實際生活中已被大大的消解,眾多的知識女性表達了身份思考,更嘗試從閫閾中突圍,而市井中的女性往往直接大膽地宣示自己的存在。這道潮流實非驟起,而是有其積漸形成的內在理路。 |
| 英文摘要 | As the last dynasty of Imperial China, the Qing dynasty witnessed the tension between repression and breakthrough in traditional culture and morality reaching its peak. Combined with the rapidly changing social reality, this led to a complicated situation in the intellectual history of the Qing Dynasty. The protagonists of such an intellectual milieu were not just male scholar-officials, but also a considerable number of women. These women expressed their own voices amid the pressure of traditional morality. While the relevant information has already been recorded in history books and novels written by male authors, poetry and prose written by women themselves are more direct and reliable sources of information. Fortunately, many of the works of women in the Qing Dynasty have been preserved so that we can understand the group of female writers at the time and their creative activities. The research in this area has already achieved a lot of results so far, but there is still space for further development. This paper analyzes the marital status and sexual psychology of women in the Qing Dynasty by studying their poetry and notes of poetry, expecting to explain some misunderstandings about the marriage of traditional women in previous studies. If we compare this understanding with the studies of the novels and operas of the Qing Dynasty, it is not difficult to find the crisis that traditional ethics encountered at the time. This crisis did not appear suddenly, but had a clear path and rationale of development. |
本系統中英文摘要資訊取自各篇刊載內容。