頁籤選單縮合
| 題 名 | 六朝志怪的思想背景:論「趙泰」文脈的形塑=The Knowledge Translation in Weirdness of Six Dynasties: Text Analysis of "Zhao Tai (趙泰)" and Interpretation of Buddhist Hell |
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| 作 者 | 陳竑廷; | 書刊名 | 空大人文學報 |
| 卷 期 | 33 2025.12[民114.12] |
| 頁 次 | 頁45+47-71 |
| 分類號 | 857.2 |
| 關鍵詞 | 氣論化生; 六朝生死觀; 形神生滅論; 魏晉南北朝佛道思想; 地獄遊歷/冥界遊行; Hell space; Records of miraculous omens; Appearance and disappearance of body and spirit; Six Dynasties; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 魏晉六朝的志怪小說,多由於書籍本身的亡佚,而傳鈔於唐宋時 期類書與佛教典籍中,本論所研究的「趙泰」故事,於魯迅《古小說 鉤沉》中所輯佚的內容有兩種不同的文本,前者輯自宋代《太平廣記》 之〈報應八〉(卷 190)註出劉義慶《幽明錄》亦見於唐代佛教典籍 《辯正論》;後者輯自《太平廣記》之〈再生三〉(卷 377)註出《冥祥 記》且唐代《法苑珠林》亦輯錄;筆者從「趙泰」故事的書寫差異, 試圖詮釋六朝時期文本知識在佛道兩教生死觀影響下的變革,作為死 後想像認知從氣論化生的魂魄、神形論,轉向建構冥界╱陰間的地獄 應報理論的認知。並從物質文化的相關研究,說明「升天」、「升虛空」 概念含混,與《弘明集.檄太山文》及地獄概念的建立與談「泰山╱ 太山」形象的融變與二分,闡釋「趙泰」文本敘事背景與文本形成的 大致時間點。 |
| 英文摘要 | This study investigates textual variations in the "Zhao Tai" narrative from the Wei-Jin and Six Dynasties period to interpret transformations in conceptions of life and death during that era. Many zhiguai xiaoshuo (records of the strange) from this time are lost in their original form, preserved only through re-transcription in later Tang and Song dynasty leishu (encyclopedic compilations) and Buddhist canonical texts. Lu Xun's Guxiaoshuo Gouchen (Collected Lost Old Stories) includes two versions of the "Zhao Tai" story: one, attributed to Liu Yiqing's Youming Lu (Records of the Hidden and Visible Realms), is found in the Taiping Guangji (Extensive Records of the Taiping Era) under "Baoying 8" (Retribution 8) and also appears in the Tang dynasty Bianzheng Lun (Treatise on Distinguishing the True). The second version, from the Mingxiang Ji (Records of Signs from the Unseen Realm), is recorded in the Taiping Guangji under "Zaisheng 3" (Rebirth 3) and the Tang dynasty Fayuan Zhulin (A Forest of Pearls from the Dharma Garden). These textual differences reflect a cognitive shift in the imagination of the afterlife, influenced by Buddhist and Daoist views, moving from indigenous concepts like qilun huasheng (life generation from qi), hun/po (ethereal and corporeal souls), and shenxing lun (spirit-form theories) towards the construction of theories of karmic retribution within a structured netherworld or hell. The research aims to elucidate the transformation in Six Dynasties' understanding of life and death by comparing the narrative variations in the "Zhao Tai" story. This transformation, profoundly shaped by Buddhist and Daoist thought, steered the conceptualization of the afterlife from earlier, more abstract notions of qi, soul components, and spirit-form relations towards more structured, morally judicial theories of retribution in a hellish underworld. For instance, the Youming Lu already demonstrates the influence of Buddhist concepts of hell on indigenous Chinese ideas of the netherworld. Material culture, such as silk paintings (bohua), funerary banners (feifan), and tomb-quelling texts (zhenmuwen) found in tombs, also reflects the syncretic nature of afterlife beliefs during this period. These artifacts often blur the distinction between "ascending to Heaven" (shengtian, 升天 – a Daoist ideal of immortal ascension) and "being born into Heaven" (shengtian, 生天 – a Buddhist concept of rebirth in a heavenly realm due to good karma), indicating a contemporary reconciliation and coexistence of diverse eschatological beliefs. The evolving imagery of Mount Tai (泰山, also 太山) is particularly crucial. Since the Han dynasty, Mount Tai was considered the destination of souls and a place of judgment. With the introduction of Buddhism, as evidenced by texts like the "Xi Taishan Wen" (Proclamation to Mount Tai) in the Hongming Ji (Collection for the Propagation and Clarification of Buddhism), beliefs about Mount Tai underwent fusion and bifurcation with Buddhist concepts of hell. The functions of the Lord of Mount Tai were integrated into the Buddhist pantheon, such as King Yama, and Mount Tai itself became a part of the hellish bureaucracy, showcasing the interpenetration of indigenous beliefs and foreign religions. In conclusion, the textual narratives of "Zhao Tai" exemplify the ambiguous and syncretic characteristics of early Chinese conceptions of life and death, transitioning from primordial indigenous beliefs about ghosts and spirits towards an integration with Sinicized Buddhism and the construction of hell. This was not a simple replacement but a complex cultural phenomenon where indigenous ideas interacted and adapted with foreign religious concepts, particularly Buddhist ideas of retribution and rebirth (as reflected in the Mingxiang Ji ). This process shaped the unique understanding of the posthumous world in medieval China. |
本系統中英文摘要資訊取自各篇刊載內容。