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| 題 名 | 蘇軾詠花詩中的物我建構:語言風格與抒情意境=Su Shi's Poetic Construction of Subject-Object Fusion in Flower Poems: Language Style and Lyric Imagery |
|---|---|
| 作 者 | 廖慧美; | 書刊名 | 僑光學報 |
| 卷 期 | 48 2025.10[民114.10] |
| 頁 次 | 頁173-190 |
| 分類號 | 851.4 |
| 關鍵詞 | 蘇軾; 詠花詩; 物我建構; 語言風格; 抒情意境; Su Shi; Flower poetry; Subject-object fusion; Linguistic style; Lyrical imagery; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 本研究以〈蘇軾詠花詩的物我融合建構:語言風格與抒情意象〉 為題,探討蘇軾如何透過語言實驗與意象運用,實踐其「物我共構」 的詩學理念。研究分析顯示,蘇軾打破傳統「託物言志」的單向模式, 藉由擬人化、多層譬喻、視角轉換,以及通俗/數字意象等策略,實 現詩人與花卉的交融。此外,本文追溯其情感結構的演變:由早期以 物為本的描寫(「物化」),經由自我投射(「我化」),至晚期物我雙向 書寫,進而形成動態的抒情綜合。此一過程不僅重塑了花卉意象的文 化符碼,也標誌古典抒情詩由單向表述情感,轉向「物—我—境」共 構的抒情空間。研究方法結合文本細讀與語用學、意象學理論,補充 古典詩學中對物我交織的理論探討。研究成果不僅深化對蘇軾詩學美 學的理解,亦為當代詩歌創作與文學教學提供可資借鑑的策略,並呼 應「隨物賦形」的詩學觀念。 |
| 英文摘要 | This study examines how Su Shi’s flower poetry embodies the poetics of subject–object fusion through linguistic style and imagery. Moving beyond the traditional mode of “expressing aspirations through objects” (tuo wu yan zhi), Su Shi employs personification, compound metaphors, shifting perspectives, and colloquial or numerical imagery to create a lyrical space where poet and object merge. His works reveal an evolving emotional structure: from object-centered description (objectification), to self- projection (subjectification), and finally to a synthesis of subject and object. This progression redefines floral symbolism and signals a shift in classical Chinese poetics from one-way lyricism to the co-construction of object, self, and environment. Combining close textual analysis with pragmatics and imagology, the study enriches understanding of Chinese lyric traditions and highlights the principle of “shaping in accordance with objects” (sui wu fu xing) as a creative and interpretive strategy. |
本系統中英文摘要資訊取自各篇刊載內容。