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| 題 名 | 「框架效應」--視錯覺原理應用於服裝敘事="Frame Effect"--Applying Optical Illusions to Self-Narrative in Fashion Design |
|---|---|
| 作 者 | 翁曉惠; 黃莉婷; | 書刊名 | 實踐設計學報 |
| 卷 期 | 22 2025.09[民114.09] |
| 頁 次 | 頁26-45 |
| 分類號 | 423.2 |
| 關鍵詞 | 框架效應; 視錯覺原理; 服裝設計; 打纜工藝; Frame effect; Optical illusion; Fashion design; Smocking; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 本研究從心理學角度探討框架效應與視錯覺原理在服裝設計中的應用,並透過「框架相關理論」、「歐普藝術視錯覺創作案例分析」、「服裝設計視錯覺案例分析」及「女性刻板印象的社會框架探討」進行回顧分析。研究發現,框架由文化背景、歷史脈絡、生活經歷及符號等多重媒介構建,進而影響感知與視覺判斷,且框架效應所帶來的思考限制超乎想像。本研究以成衣品牌設計師視角,反思現今成衣產業中的研發設計過程,檢視是否受制於主流「審美價值觀」。透過回顧不同時代的審美觀演變,探討過去設計流程中的框架,並思考這些框架對女性的影響。研究期望透過設計思辨,促使設計者突破現有框架,開啟新的創意層面,並對現今及未來服裝設計提供啟發。 |
| 英文摘要 | This study examines the application of the framing effect and optical illusion principles in fashion design from a psychological perspective. Through a review of "framing theory," "optical illusions in Op art," "fashion design case studies," and "societal frameworks and female stereotypes," it is found that frames are constructed through cultural backgrounds, historical contexts, life experiences, and symbols, which in turn influence perception and visual judgment. The cognitive limitations imposed by framing effects are far more extensive than previously anticipated. Additionally, the study critically reflects from the perspective of a ready-to-wear brand designer, questioning whether the current design process in the fashion industry is constrained by mainstream aesthetic values. By examining the evolution of aesthetic views over time, the study explores the frameworks within past design processes and their potential impact on women, aiming to inspire designers to break free from conventional frameworks and explore new creative possibilities in both current and future fashion design. |
本系統中英文摘要資訊取自各篇刊載內容。