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| 題 名 | 感知的反身性:當代臺灣藝術家的「田野」及其「他/祂者」思維=Perception Reflexivity: "Fieldwork" and the "Other/Supernatural Other" Perspectives of Contemporary Taiwanese Artists |
|---|---|
| 作 者 | 梁廷毓; | 書刊名 | 藝術評論 |
| 卷 期 | 49 2025.07[民114.07] |
| 頁 次 | 頁1-42 |
| 分類號 | 909.933 |
| 關鍵詞 | 臺灣當代藝術; 民族誌轉向; 田野調查; 鬼魂; 祂者; Taiwanese contemporary art; Ethnographic turn; Fieldwork; Ghosts; Supernatural other; |
| 語 文 | 中文(Chinese) |
| DOI | 10.53106/101562402025070049001 |
| 中文摘要 | 在 1960 年代以後,西方當代藝術開始轉向人類學研究的理論、方法和經驗 成果。此一現象被稱為當代藝術的「人類學轉向」或「民族誌轉向」,晚近臺灣 當代藝術場域當中,也逐漸出現藝術家以不同形態的田野工作及民族誌方法,結 合藝術創作的實踐。然而,目前相關的文本散落各處,鮮少有專文的研究和探討。 因此,本文一方面以相關藝術家的觀點,展開對創作方法的思辨;另一方面,則 探討臺灣當代藝術繞經田野調查所產生的藝術創作,究竟涉及何種對於「他者」 的特異感覺方式及倫理維度的美學探索,以及一種感知的反身性實踐。本文認為, 臺灣當代藝術繞經田野調查所產生的藝術創作,實際上是一種對於他/祂者的感 知方式及其倫理維度的美學探索,開啟了一種擴延差異感知維度及時空尺度的實 踐視野。 |
| 英文摘要 | Since the mid-20th century, Western contemporary art has increasingly turned to anthropological theories, methods, and empirical findings. This phenomenon is known as the “ethnographic turn” in contemporary art. Recently, Taiwanese contemporary art has also seen artists adopting various forms of fieldwork and ethnographic methods integrated into artistic practice. However, relevant texts are scattered, and there is a lack of dedicated research and discussion. On one hand, this paper explores the creative methods from the perspectives of relevant artists, and on the other hand, examines artistic practices in Taiwanese contemporary art involving fieldwork. It focuses on unique ways of perceiving the “Other” and the ethical dimensions of aesthetic exploration, as well as a practice of perception . The paper argues that artistic creation in Taiwanese contemporary art involving fieldwork is an exploration of the aesthetic dimensions of perceiving the “Other/Supernatural Other” and its ethical aspects, opening up a perspective that extends the dimensions of differential perception and temporalspatial scales. |
本系統中英文摘要資訊取自各篇刊載內容。