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| 題 名 | 白圭之玷--論《等韻一得》的理想化音系及其評價=Blemish on White Jade: A Study on the Idealized Phonological System and Its Evaluation in Deng Yun Yi De |
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| 作 者 | 王松木; | 書刊名 | 聲韻論叢 |
| 卷 期 | 31 2023.12[民112.12] |
| 頁 次 | 頁67-107 |
| 分類號 | 802.465 |
| 關鍵詞 | 勞乃宣; 許世瑛; 等韻一得; 理想化音系; 概念整合; Lao Naixuan; Xu Shiying; Deng Yun Yi De; Idealized phonological system; Conceptual blending; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 五四新文化運動(1919年)之後,中國學術研究板塊發生了翻天覆地的劇烈變動,在傳統與現代之間橫隔著一道斷裂的鴻溝,而勞乃宣、許世瑛就分別站在鴻溝的兩端。勞乃宣畢生鑽研等韻學,《等韻一得》乃其心血結晶,許世瑛卻指出書中存在瑕疵,因而給予「白圭之玷」的評價。由此可見,勞、許二人存在著認知落差。本文主旨不在於爭辯勞、許二人孰是孰非,而在於向上超拔,正視不同典範間所存在的認知落差。在此前提之下,力求回溯勞乃宣的歷史語境,並借用認知語言學的「概念整合」理論,試著解釋「白圭之玷」究竟從何而來,釐清勞乃宣如何融合多種心理空間,從而建構出符合「人聲自然」之理想化音系。 |
| 英文摘要 | After the May Fourth New Culture Movement in 1919, the academic landscape of Chinese scholarly research underwent a profound and drastic transformation. A gaping chasm emerged between tradition and modernity, with Lao Naixuan and Xu Shiying positioned on opposite ends of this divide. Lao Naixuan dedicated his life to the study of rhyme equivalence and his magnum opus, Deng Yun Yi De, represented the culmination of his efforts. However, Xu Shiying identified flaws within Lao's work, leading to a critical assessment akin to a "blemish on white jade". Thus, it becomes evident that Lao and Xu held divergent perspectives. The purpose of this paper is not to debate the merits or faults of Lao and Xu individually, but rather to transcend and address the cognitive disparities existing between different paradigms. Within this framework, the aim is to trace the historical context of Lao Naixuan's work and employ the theoretical framework of cognitive linguistics, specifically the "conceptual blending" theory, in an attempt to explain the origins of the "blemish on white jade" critique and elucidate how Lao Naixuan integrated various cognitive spaces to construct an idealized phonological system in harmony with the natural properties of human speech. |
本系統中英文摘要資訊取自各篇刊載內容。