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| 題 名 | 多重視角元宇宙概念書法創作芻議=The Creative Theory of Multi-perspective Metaverse Calligraphy |
|---|---|
| 作 者 | 姜明翰; | 書刊名 | 育達科大學報 |
| 卷 期 | 52 2024.06[民113.06] |
| 頁 次 | 頁107-124 |
| 分類號 | 942 |
| 關鍵詞 | 元宇宙; 意識流; 多重視角; 去中心化; 傳統書法; 現代書法; Metaverse; Stream of consciousness; Multiple perspectives; Decentralization; Traditional calligraphy; Modern calligraphy; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 中國書法數千年發展進程中,不論傳統書法或現代書法,所有書家皆受限於單一視角書寫,不易創新突破。如今進入Web3.0元宇宙時代,人類生活由現實轉向虛擬,書法也應提升維度,展現未來可能樣貌。筆者嘗試以多重視角(Multiple perspectives)立體概念創作草書,開啟全新境域;並嘗試以「去中心化」、「女性意識流」之藝術理念書寫,藉以擺脫傳統父系書法霸權,建構「多重視角元宇宙書法」理論基礎。 |
| 英文摘要 | During the thousands of years of development of Chinese calligraphy, regardless of traditional calligraphy or modern calligraphy, all calligraphers are limited to writing from a single perspective, making it difficult for them to innovate and make breakthroughs. Now that we have entered the Web3.0 metaverse era, human life has shifted from reality to virtuality, and calligraphy should also increase its dimension to show what the future may look like. The author attempts to create cursive calligraphy using the three-dimensional concept of multiple perspectives, opening up a new realm; and attempts to write with the artistic concepts of "decentralization" and "female stream of consciousness" to get rid of the hegemony of traditional patriarchal calligraphy and construct a "multiple perspective metaverse". Theoretical basis of calligraphy. |
本系統中英文摘要資訊取自各篇刊載內容。