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題 名 | 《酉陽雜俎.寺塔記》尊像書寫之文化意涵="Youyang Zazu" the Cultural Significance of the Writing on the Statues of "Temple Pagoda" |
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作 者 | 洪宇蓁; | 書刊名 | 學思 |
卷 期 | 3 2024.07[民113.07] |
頁 次 | 頁171-185 |
分類號 | 224.6 |
關鍵詞 | 酉陽雜俎; 寺塔記; 佛教; 尊像; 文化; Youyang Zazu; Temple Pagoda; Buddhism; Statue; Culture; |
語 文 | 中文(Chinese) |
中文摘要 | 〈寺塔記〉為唐朝段成式所撰《酉陽雜俎》的篇章之一,主要記載段成式與同僚造訪長 安佛寺的見聞所得。歷來對於〈寺塔記〉的研究,多與壁畫藝術相關,或有延伸至僧侶的形 象書寫、作者的信仰態度等方面,然較少觸及到尊像供奉討論。考察段成式筆下的尊像記敘, 著眼於材質的金身崇拜、聚焦於神異的靈驗感通,並顯示出寺院空間對不同身分尊像的接納。 就佛像金身的塑造而言,其意義不僅是崇高佛法的象徵,更是信徒回饋、懺悔的行動依憑, 透過具象物質提供了精神的寄託;就佛像靈感的敘事而言,佛力除了展現在對信徒祝禱的回 應上,也以不求而至的療疾情節,傳達了菩薩救苦的慈悲胸懷,更藉佛尊影像在物類中的現 身,發揮勸善教化的功能;就尊像身分的呈現而言,寺院所供在諸佛菩薩之外,另有表呈修 持境界或護佑顯化的弘法聖僧、兼攝「人王」與「法王」的帝王聖容,甚至是為追念早殤夭 亡而設的王公親眷。不僅在祭祀的活動上,產生了公私領域的交涉與滲透,在宗教空間的容 受上,更因對不同身分的協商接納,反映出聖俗定位的流動與對話。 |
英文摘要 | “Temple Tower Records” is one of the chapters in “Youyang Zazu” written by Duan Chengshi of the Tang Dynasty. It mainly records what Duan Chengshi and his colleagues saw and heard when they visited the Chang’an Buddhist Temple. All the time, research on “Temple Pagoda” has mostly been related to mural art, or extended to monks’ image writing, the author’s religious attitude, etc., but rarely touched on the discussion of statue enshrinement. An examination of Duan Chengshi’s descriptions of the statues covers the material-focused worship of the golden body, the focus on miraculous spiritual perceptions, and shows the temple space’s acceptance of statues of different identities. As far as the shaping of the golden body of the Buddha statue is concerned, its significance is not only a symbol of the lofty Dharma, but also a basis for believers’ feedback and repentance, and provides spiritual sustenance through concrete materials. As far as the narrative of the inspiration of the Buddha statue is concerned, the power of Buddha is not only displayed in the response to the prayers of believers, but also conveys the compassionate mind of the Bodhisattva in rescuing the suffering through the plot of healing the disease without asking. It also relies on the role of the image of the Buddha in objects. Show up and play the role of persuading people to do good and educating people. In terms of the identity of the statues, in addition to the Buddhas and Bodhisattvas enshrined in the temple, there are also the Dharma-promoting holy monks who represent the state of practice or the protection of manifestations, the emperor’s holy face that takes both “human kings” and “Dharma kings”, and even It is designed to commemorate the family members of the princes who died young. Not only did sacrificial activities produce negotiations and penetrations between the public and private spheres, but the acceptance of religious space also reflected the flow and dialogue of sacred and secular positions due to the negotiation of the acceptance of different identities. |
本系統中英文摘要資訊取自各篇刊載內容。