頁籤選單縮合
| 題 名 | 論新文學時期散文理論的文類建構及現代散文的抒情本質=Constructing Literary Genre in Prose Theory during the New Literature Period and the Lyrical Essence of Modern Prose |
|---|---|
| 作 者 | 蔡政洋; | 書刊名 | 嶺東通識教育研究學刊 |
| 卷 期 | 10:3 2024.02[民113.02] |
| 頁 次 | 頁71-101 |
| 分類號 | 825 |
| 關鍵詞 | 現代散文; 抒情散文; 周作人; 郁達夫; 夏丏尊; 廚川白村; Modern prose; Lyrical prose; Zhou Zuoren; Yu Dafu; Xia Miezun; Kuriyagawa Hakuson; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 散文一詞定義向來模糊,本文嘗 試透過新文學時期幾個重要的定 義來解析散文如何從古典文學進入現 代 成 為 一 現 代 文 類。在 廚 川 白 村、 周作人與郁達夫對現代散文的闡釋中 ,可以獲知現代散文如何在翻譯 詞彙與中國文學史的脈絡中探尋自身 的核心價值。並觀察夏丏尊《文 章作法》一書的編寫方式,與姚鼐《 古文辭類纂》兩相比較,連結到 桐城派古文的文論及文學觀,推想現 代散文如何繼承「文如其人」、 「 修 辭 立 其 誠 」等 作 者 與 作 品 間 的 主 體 倫 理 規 範。透 過 這 一 系 列 觀 察, 可以窺見「現代散文」作為一「文類 」以抒情為其內容與藝術表現的 源流。 |
| 英文摘要 | The term "散 文 " has always been ambig uous in definition. This paper attempts to analyze how prose evolves from classical lite rature to modern times as a contemporary literary genre through several significant definitions from the New Literature period. Through the interpretations of modern prose by Kuriyagawa Hakuson, Zhou Zuoren, and Yu Dafu, it can be understood how modern prose explores its core values within the context of tra nslation terminology and Chines e literary history. By examining the writing methods of Xia Miezun's "文章作法 " in comparison with Yao Nai's " 古文辭類纂 ," it is connected to the literary theories and literary views of the Tongcheng School of ancient prose, speculating on how modern prose inherits the subjective ethical norms between authors and works such as "文如其人 " and "修辭立其 誠 ." Through this series of observa tions, it can be glimpsed that "modern prose" as a "literary genre" traces its origins in lyricism in terms of content and artistic expression. |
本系統中英文摘要資訊取自各篇刊載內容。