查詢結果分析
來源資料
頁籤選單縮合
題名 | 清末王覺一〈一貫探原〉「九重天圖」考=A Research of "Diagram of the Nine Heavens (九重天)" in Wang Jueyi's "Yiguantanyuan (一貫探原)" in the Late Qing Dynasty |
---|---|
作者姓名(中文) | 王復性; | 書刊名 | 華人宗教研究 |
卷期 | 22 2023.07[民112.07] |
頁次 | 頁55-101 |
分類號 | 271.6 |
關鍵詞 | 王覺一; 一貫探原; 九重; 九重天圖; 理氣象; Wang Jueyi; Yiguantanyuan; Jiu-chong; Diagram of the nine heavens; Li-qi-xiang; |
語文 | 中文(Chinese) |
DOI引用網址 | 10.6720/SCR.202307_(22).0002 |
中文摘要 | 〈一貫探原〉係清末「末後一著教」教主王覺一(又號北海老人)所著,本文對收錄於《理數合解》之〈一貫探原〉原典中的「九重天圖」之可能來源進行考辨,以瞭解王覺一宇宙圖式論述的可能依據,並探討圖式內容,以嘗試理解其創論理氣象三天思想的宗教關懷。有關「九重、九天」及「九」數是實指、隱喻或更具特別義涵,本文將於既有研究成果上進行疏理。早於春秋《孫子兵法》戰國《楚辭》及西漢《淮南子》均已有相關文字的記載,至於以圖象方式呈現「九重天」的概念,大約要於〈一貫探原〉之前的明清時代才出現類似圖式。經學者的研究係受西方傳教士來華將西方天文學說帶入中國後開始繪製,也因這類圖式的刊行通行,明清士人在衝激下結合中西學術,將東方的性命之學融入九重天圖中,筆者認為這類作品被王覺一吸收後加以創繪而形成屬於末後一著教的九重天圖。 |
英文摘要 | "Yiguantanyuan" was written by Wang Jueyi, the leader of the "Mohouyizhujiao (末後一著教)" in the late Qing Dynasty.This article will examine and identify the origin of the "Diagram of the Nine Heavens" included in the original text of "Yiguantanyuan" in "Lishuhejie (理數合解)", in order to understand the possible basis for Wang Jueyi's illustration of the universe, and to discuss its diagram content in order to try to understand the religious concern of his creation theory of "Li-Qi-Xiang (理氣象)". Regarding the actual meaning, metaphor, or more special meaning of "Jiu-chong ,Jiu-tain" and "Jiu (nine)", this article will sift through the existing research results. As early as the Chunqiu "The Art of War - Sun Zi" and theZhanguo "Songs of the Chu" and the Western Han Dynasty "Huai Nan Zi", there have been relevant written records. As for the concept of "Diagram of the Nine Heavens" presented in the form of images, it was about before "Yiguantanyuan". Similar patterns existed in the Ming and Qing dynasties.Through research by scholars, it was found that began to draw after Western missionaries brought Western astronomical theories into China when they came to China for preaching. Because of the publication of such schemas, the scholars of the Ming and Qing Dynasties combined Chinese and Western academics under the impulse of Western learning to combine Eastern and Western astronomy. The "Xingmingxue (性命之學)" was integrated into the "Diagram of the Nine Heavens". I think that this kind of work was absorbed by Wang Jueyi and then created and painted to form the "Diagram of the Nine Heavens" belonging to the "Mohouyizhujiao". |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。