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題 名 | 臺灣豫劇團音樂之特色=The Features of Taiwan BangZi Opera Company Music |
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作 者 | 施德玉; | 書刊名 | 戲曲學報 |
卷 期 | 29 2023.12[民112.12] |
頁 次 | 頁87-109 |
分類號 | 982.513 |
關鍵詞 | 臺灣豫劇團; 豫劇唱腔音樂; 豫劇板式; 豫劇文武場音樂; 梆子腔; Taiwan BangZi Opera Company; Bangzi singing music; Bangzi Ban; Wen-chang and Wu-chang Music of Bangzi Opera; Bangzi-qiang; |
語 文 | 中文(Chinese) |
DOI | 10.7020/JTCT.202312_(29).0003 |
中文摘要 | 臺灣豫劇團在臺灣有七十年的歷史,唱腔方面是以梆子聲腔為主要音樂內容,由於長年在臺灣的發展,演出劇目擁有許多創新的題材。從臺灣豫劇團每年製作的全新大戲,就可以知道其創新的走向,以及融合臺灣風土民情與在地文化的現象。該團創新劇目不僅能擷取中西精華,呈現傳統與當代的風格,還嘗試跨界合作,不斷推陳出新,多年來創作許多膾炙人口的作品。梳理臺灣豫劇團的劇目表演內容,有八種類型,包括:傳統經典劇目、新編劇目、跨界之作、移植劇目、本土題材、實驗劇、兒童劇與少年豫劇等類型,真是豐富而多元。本文首先論述豫劇梆子腔風格高亢嘹亮,擁有極大的張力,又能明顯呈現歡快和悲泣的特色,受到多地民眾的青睞,因此梆子腔得以流播到其他地方,形成多樣的梆子腔音樂系統。其次分析臺灣豫劇唱腔板式之特色,包含:【慢板】、【流水板】、【二八板】和【散板】四個傳統板類的靈活應用,與功能效果;其三探討文武場形式功能之特色,除了應用傳統板胡與梆子之外,還增加許多具有功能性之樂器與創新配器手法,使得臺灣豫劇團的音樂擁有更豐沛的聲響效果;最後提出臺灣豫劇團音樂的創新設計,包含:創新腔調、創新演唱板式、創新演唱形式、創新幕間及場景音樂,以及增加樂器與配器手法等。期望本文之研究能提供戲曲音樂工作者參考。 |
英文摘要 | Taiwan BangZi Opera Company has a history of about 70 years in Taiwan, and has Bangzi tunes as the main music content, when it comes to singing. Due to its long-term development in Taiwan, its repertoire has many innovative themes. From the brand-new dramas produced by Taiwan BangZi Opera Company every year, we can know its direction is for creating and integrating the phenomena of Taiwanese customs and local culture. The company’s innovative repertoire not only captures the essence of the Chinese and the Western arts, and presents traditional and contemporary styles, but also attempts cross-border cooperation, constantly innovating and creating many popular works over the years. There are eight types of repertoire performances by Taiwan BangZi Opera Company, including: traditional classic repertoires, newly written repertoires, cross-border works, transplanted repertoires, local themes, experimental plays, children’s plays and juvenile Bangzi operas, etc., which is really rich and diverse. This paper will firstly discuss that Bangzi opera tunes are high-pitched and bright with great tension, and can obviously present the characteristics of joy and weeping, which makes the art popular among the public from different backgrounds and spread to many places, and diverse Bangzi music systems has thus been formed. Secondly, the characteristics of Taiwan Bangzi opera singing style will be analyzed, including: ‘Adagio,’‘Liu Shui Ban,’ ‘Erba Ban’ and ‘San Ban,’ and the flexible application and functional effects of these four traditional forms. Thirdly, the forms and functions of Wen- and Wu-changs will be discussed. Apart from the application of traditional Banhu and Bangzi, there are also many functional musical instruments and innovative orchestration techniques, making the music of Taiwan BangZi Opera Company have a richer sound effect. Finally, the innovative design of the music of Taiwan BangZi Opera Company will be underlined, including: the innovative tunes, innovative singing styles, innovative singing forms, innovative intermission and scene music, and newly-added musical instruments and orchestration techniques, etc. Hopefully, the research in this paper can be referential for other opera music artists. |
本系統中英文摘要資訊取自各篇刊載內容。