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| 題 名 | 科技.視域.觸維:表演藝術情境式舞臺設計之影像研究=Technology, Sight, Multidimensionality: An Investigation on the Intervention of Technology Projection in Performing Arts |
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| 作 者 | 徐珍娟; | 書刊名 | 科際整合月刊 |
| 卷 期 | 9:2 2024.02[民113.02] |
| 頁 次 | 頁64-87 |
| 關鍵詞 | 合唱戲劇; 合唱表演藝術; 情境式舞臺; 科技投影; Choir drama; DIF; Scenario-based stage; Choral performing arts; Technology projection; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 現今活絡的表演藝術型態中,傳統合唱展演被「一致性」過高的元素綑綁,使「動態」音樂因「靜態」呈現方式減少張力。台灣「合唱戲劇(Choir Drama)」創建可溯及民國八十九年,展演轉由複合性元素打造之情境式舞台呈現,使聲音傳達在「動靜之間」轉動能量。研究者從探索、研究、實驗、成型到推廣已達二十五年,製作之合唱戲劇作品中,隨日新月異的科技發展,數位環境及多媒體科技介入表藝之作品與日俱增,促使聲音傳達已擴展至多元「觸維」層面,同時感受科技投影的介入的確強化作品反饋及留存之藝術價值。此次研究以「設計資訊架構」(Design Information Framework, DIF)法則為理論,並以多部合唱戲劇作品如《飛翔的時刻》、《留堂的孩子》、《逆光~No Return》、《玫瑰人生.旗袍奏鳴曲》、《我來自何方》、《內灣火車》、《藝益》、《宇境~菊島天堂》、《音畫~行走的瞬間》等,創作期間之影像設計發想、過程中工具軟體使用及物件移動的運用、實體道具穿插等進行說明以及結果論述。研究發現運用DIF之法拆解、分析、重組情境式舞台元素,再植入科技投影後,建立高密合度及邏輯式的對話管道,使原本靜態及傳統的表演藝術注入全新生命。研究結果可供新思維視覺藝術舞台設計參考,亦為潛力無窮的人聲藝術開創展演新視野。 |
| 英文摘要 | Nowadays, traditional chorus performance is gradually bound by elements with too high "consistency", which makes "dynamic" music less tense due to the "static" presentation. The establishment of Taiwan's "Choir Drama" can be traced back to the 1989. The performance presents a situational stage created by composite elements, allowing music to convey energy "between movement and stillness". Researchers have been exploring, researching, experimenting, forming and promoting for 25 years. In the production and publication of original choral dramas, with the rapid development of science and technology, the number of works involving digital environment and multimedia technology in performing arts is increasing day by day. The transmission of music also naturally extends to the visual field. During the performance, it was discovered that the intervention of technological projections indeed enhanced the feedback and retained artistic value of the works. Based on the theory of DIF (Design Information Framework), this study extracted a number of choral drama works such as "The Moment of Flying", "Children in Detention", "Cancel Life with No Return", "Life of Rose-Cheongsam Sonata", "Those Years in Diverse Travel", "Where I Come From", "Neiwan Train", " Art Tour Public Welfare", "Universe -Paradise Island", " The Moment of Walking". The use of software in the production process, the use of object movement, the interspersed physical props, and the discussion of the results. The research found that using the method of DIF to disassemble, analyze, and reassemble the situational stage elements in ensemble dramas, and then implant them into visual art to establish a high-density and logical dialogue channel, injecting new life into the originally static and traditional performing arts. The vocal art with infinite potential opens up a new vision of the stage. |
本系統中英文摘要資訊取自各篇刊載內容。