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題名 | 張家山漢簡〈引書〉的書法藝術解析=The Analysis of the Calligraphic Art of Zhangjiashan Han Bamboo Slips "Yin-Shu" |
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作者姓名(中文) | 邱慧珍; | 書刊名 | 明道學術論壇 |
卷期 | 15:2 2023.12[民112.12] |
頁次 | 頁55-73 |
分類號 | 796.8 |
關鍵詞 | 張家山漢簡; 引書; 導引圖; 書法藝術; Zhangjiashan Han bamboo slips; Yin-Shu; Dao-Yin-Tu; Calligraphy; |
語文 | 中文(Chinese) |
中文摘要 | 1983 年底至 1984 年初,湖北省荊州地區博物館在挖掘江陵縣張家山西漢初 期古墓時,相繼發現了大批竹簡。其中以編號二四七古墓出土的竹簡最多、達1600 多枚,〈引書〉為其中之一。 〈引書〉部分共 3235 字,抄寫在 112 枚竹簡上,是竹簡自題的名稱,寫在 第一枚竹簡背面。依書法風格雷同觀之,似乎出於同一人之手。〈引書〉為古代 導引術的著作,藉由各種動作、按摩或吐納行氣治療預防各種疾病。研究〈引 書〉,除了可以增進對早期隸書的理解,同時也可瞭解古代養生導引術的內容與 發展。 本文分析〈引書〉內容與形制,比較〈引書〉所載導引術與馬王堆帛畫〈導 引圖〉之異同,並依〈引書〉文字之筆法、結構、章法,加以解析,以及探討 〈引書〉中同字異形的部分,試圖找出其書法風格。 經由解析過程,可以知道,〈引書〉中的導引內容比〈導引圖〉豐富和複 雜,其字形用筆精彩、結構處理技巧多變,不但可以看到字形演化的證據,也有值得借鏡的藝術表現概念。 |
英文摘要 | From the end of 1983 to the beginning of 1984, Jingzhou Regional Museum in Hubei Province discovered substantial bamboo slips in the evacuation of ancient tombs of the early Western Han Dynasty. Among them, the two hundred and forty-seventh tumulus unearthed the most bamboo slips, up to 1600 pieces, composed of two types of medical books, one of them "Yin-Shu". The " Yin-Shu" part has 3235 characters in total, and was transcripted on 112 bamboo slips. "Yin-Shu" is the name inscribed on the bamboo slips and written on the back of the first bamboo slip. From the similar calligraphy style, it seems to be written by the same person. "Yin-Shu" is an ancient writing about "Daoyin", which treats and prevents various diseases through movements, massage, or exhaling. The research of "Yin-shu" can not only enhance the understanding of the early official scripts but also help understand the content and development of ancient health-preserving "Daoyin". This article analyzes the content and form of the "Yin-Shu". compares the similarities and differences between the "Daoyin" stated in "Yin Shu" and the Mawangdui silk painting "Dao-Yin" paintings, and investigates them according to the "Yin- Shu" writing style, structure, and composition. Also, it discusses the part of the same characters in different shapes in "Yin-Shu," trying to find out its calligraphy style. Via analysis, we know that the guiding content in the "Yin-Shu" is more abundant and more complex than the "Dao-Yin-Tu" artistic expression concept. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。