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| 題 名 | 多重的觀看:談侯孝賢《紅氣球》之影像書寫=Multi-Watching on the Image Writing in Hou Hsiao Hsien Le Voyage du Ballon Rouge |
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| 作 者 | 張憲堂; | 書刊名 | 臺北城市科技大學通識學報 |
| 卷 期 | 8 2019.03[民108.03] |
| 頁 次 | 頁213-224 |
| 分類號 | 987.933 |
| 關鍵詞 | 侯孝賢; 阿貝.拉摩利斯; 紅氣球; 影像書寫; 第三隻眼睛; Hou Hsiao Hsien; Albert Lamorisse; Red Balloon; Le Voyage du Ballon Rouge; Image writing; The third view; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 侯孝賢的《紅氣球》為其第一部法語電影,雖向阿貝.拉摩利斯1956年的《紅氣球》致敬,但侯孝賢卻透過他所慣用的影像書寫,使其《紅氣球》不僅是致敬的影片。本研究嘗試比較侯孝賢和阿貝.拉摩利斯二部影片後,分析侯孝賢在其《紅氣球》中採取第三隻眼冷靜旁觀的鏡頭語言下,使得其影片有今昔的觀看、活力女人的觀看、藝╱異文化的觀看等多重的觀看,呈現侯孝賢其個人對生活在現代城市下生存狀態的觀感。 |
| 英文摘要 | Le Voyage du Ballon Rouge (Flight of the Red Balloon) is Hou Hsiao Hsien's first French film and was paid respect to The Red Balloon, a French film produced and directed by Albert Lamorisse in 1956, but Hou used his unique image writing to make his film have a different presentation. The aim of the study is to compare Hou's and Albert Lamorisse's films to find out that with the third-person point of view, Hou examines the film from diversified perspectives: the view of the past and the present, the view of vital woman, and the view of artistic/alien culture to explore the life attitude under the modern city by himself. |
本系統中英文摘要資訊取自各篇刊載內容。