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題 名 | 存在的荒謬與過程哲思--史鐵生80年代中後期的殘疾書寫=Absurdity of Existence and Process of Rumination: Shi Tiesheng's Deformity Narration in the Mid or Late 1980's |
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作 者 | 莊家瑋; | 書刊名 | 中國文學研究 |
卷 期 | 44 2017.07[民106.07] |
頁 次 | 頁191-235 |
分類號 | 820.9 |
關鍵詞 | 史鐵生; 殘疾書寫; 荒謬; 自殺; 存在主義; 過程哲思; Shi Tiesheng; Deformity narration; Absurdity; Suicide; Existentialism; Process of rumination; |
語 文 | 中文(Chinese) |
中文摘要 | 中國大陸當代作家史鐵生(1951-2010),文革時期以知青身份下鄉插隊,1971 年因病返京,二十二歲遭逢截癱,1979 年始正式發表文學作品,一生以思力深刻的殘疾寫作蜚聲文壇。從作家創作歷程觀之,1980 年代中後期,史鐵生創作了〈命若琴弦〉、〈我之舞〉等系列存在哲思小說,標誌著其殘疾思索與書寫意旨的轉折、深化。本文即以此嬗變為線索,透過「存在的荒謬」與「過程哲思」這個並置於文本內涵的張力視角,詮釋作品如何透過際遇的偶然與苦難的必然、殘疾╱有限性與愛情╱欲望等辯證命題,以及「自殺」逼顯的生死思索,展開對人與世界、命運關係之探詢──箇中旨趣既寓含「人根本的處境是『殘疾』」的轉折之思,從中我們亦實看見一個殘疾作家「扶輪問路」之精神里程碑 |
英文摘要 | The contemporary writer Shi Tiesheng (1951-2010) in China went and worked in the rural area during the Cultural Revolution campaigns; however, he returned back to Beijing in 1971 because of an illness. When he was 22, he was diagnosed with paraplegia. In 1979, he began publishing literary works, and he was famous for his profound writing about deformity throughout his literary life. As can be seen from his writing course, Shi Tiesheng, in the mid or late 1980's, wrote a number of novels such as Life on Strings and Dance of Life. This symbolizes the transition in and the deepening of the mediation on deformity. This essay, building on this transition, aims to explore how Shi Tiesheng discusses the relationship between people, reality and fate through coincidence and suffering, deformity and love as well as life and death. Generally speaking, Shi Tiesheng claims that life itself is "deformed", but people need to give recognition continuously to the concept of life as a spiritual "course" |
本系統中英文摘要資訊取自各篇刊載內容。