頁籤選單縮合
題 名 | 辻仁成『母なる凪と父なる時化』論--レイジの殺人理由、あるいはセキジとの鏡像関係=辻仁成《風平浪靜彷若母 驚濤駭浪好似父》論--Reizi的殺人理由,或與Sekizi互為鏡像關係的Reizi、A Study of Tsuji-Hitonari "Haha naru nagi to chichi naru shike (A Calm Likes Mother and a Storm Likes Father)": The Reason of Reiji Murdered Yamaya, or His Mirror Image with Sekiji |
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作 者 | 佐藤敬子; | 書刊名 | 台灣日本語文學報 |
卷 期 | 39 2016.06[民105.06] |
頁 次 | 頁25-42 |
分類號 | 861.57 |
關鍵詞 | 鏡像; 家人; 兄弟性; 雙胞胎; 殺人行為; 家族; 双生児; 殺人; Mirror image; Family; Brotherly; Twin; Murder; |
語 文 | 日文(Japanese) |
中文摘要 | 論究起日本當代作家辻仁成(Tsuji Hitonari.1959~)的著作研究現況,在韻文作品方面可謂多有斬獲,但關於其散文作品方面的研究卻幾乎未見。辻仁成繼1989 年以處女小説作《甚弱音》榮獲日本第13 屆<Subaru 文學獎>後,於1997 年再以《海峡之光》獲得第116 屆<芥川賞>,更在2 年後(1999 年)以《白佛》一書勇奪法國<費米納獎>。他也是第一位得到此殊榮的日本作家。筆者以為,至今尚未對這些屢獲國內外文學獎項肯定的散文作品群展開研究,實為遺憾。因此,本發表將針對辻仁成的作品《風平浪靜彷若母 驚濤駭浪好似父》進行考察分析,発表研究成果。本書曾入選為1994 年第110 屆芥川賞的候補作品。具體而言,本發表將聚焦在作品的焦點人物SEKIZI,以及與其容貌極為相似的REIZI 身上。SEKIZI 是一位高中2 年級的轉學生,與REIZI 的長相相似到任誰都會錯認。在此可想起拉岡(LAKAN.Jacques)提倡的「鏡像」理論,以及其視野下的「兄弟性的條件及效果」(《複合家族》p.57 及p.66)。亦即, SEKIZI 的存在開啟了REIZI 重新思考17 年來自己人生的契機。也因此讓REIZI 與其監護人山谷的関係發生變化,最終演變至REIZI對山谷心懷殺意。本論文將闡明REIZI 的心路歷程及殺害山谷動機,並探究REIZI在其後的變化。本論文將著眼在SEKIZI 與REIZI 的相互補足關係的基礎上進行,但主要以REIZI 為解析主體,至於針對「鏡像」理論的對象SEKIZI 的探究,將另闢他稿論述 |
英文摘要 | Tsuji-Hitonari is writer. In1989, his first novel, "Pianissimo" won the 13th Subaru Prize for Literature( Subaru Bungaku Sho).In 1997, he was awarded the 116th Akutagawa Prize for "Kaikyo no hikari (The Light from the Straits). In 1999, he was awarded the Prix Femina Award, a prestigious French Literary Prize, in the foreign novel category, for the French translation of "Le Boudda Blanc (The White Buddha, Hakubutsu, published by Mercure de France).He is the first Japanese writer to ever win the Prix Femina Award. But, we have few papers about his novels, that is a pity. This time, I deliver a paper on his novel what title is "Haha naru nagi to chichi naru shike (A calm likes mother and a storm likes father)".This novel was nominated the 110th Akutagawa Prize. I explain my idea concretely, I noted why Reiji murdered Yamaya. While Yamaya was the guadean for Reiji, he got a lot of benefit from Reiji. One day, Reiji met Sekiji at a coffee shop. Sekiji had a strong resemblance to Reiji. Then, we notice not only their mirror image that Jacques LACAN said by "Le stade du miroir" in 1936, or "La famille" in 1938, but also their interaction. Sekiji changed Reiji's feeling for Yamaya. At last, Reiji murdered Yamaya |
本系統中英文摘要資訊取自各篇刊載內容。