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| 題 名 | 五行原論與原物理=The Nature of the Primitive Five Phases and the Original Physics |
|---|---|
| 作 者 | 楊儒賓; | 書刊名 | 中國文哲研究集刊 |
| 卷 期 | 49 2016.09[民105.09] |
| 頁 次 | 頁83-120 |
| 分類號 | 291.2 |
| 關鍵詞 | 五行; 原物理; 物之想像; 聖顯; 力顯; 言-氣-志主體; Five phases; Original physics; Material imagination; Hierophany; Kratophany; The subject of language-zhi-intention; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 「五行」是中國思想的核心概念,它在後世主要的影響有三:一是《尚書.洪範》建立的秩序化世間的統合型之道之概念;一是鄒衍建立的五行相生之歷史體系;另一是以蕭吉《五行大義》代表的另類知識論模式。本文則從耶律亞德(M. Eliade)的聖顯(hierophany)與巴舍拉(G. Bachelard)的「物之想像」(material imagination)入手,探討一種宗教現象學意義的「原初」的概念。原初的五行顯示五行之為物原本即有既聖且物的模型性質,此性質既是「外界」的物象,也是「內在」的心象,其性格有如「原型」的地位。原型的心象綰合了精神的意念與語言意象間的連結,初民透過了此物之想像賦予人的行為一種本體論的肯定作用,其敘述因而都可視為聖(道)在時間系列中不斷地湧現。前賢的道德語句常混用自然意象,並非源於自然主義的謬誤,而是跨越心物分隔的原初的世界之肯定,五行論是原生的物理學。 |
| 英文摘要 | The "Five Phases" is one of the core concepts in Chinese history. First, it played an important role in the classics, and particularly the "Hong fan" chapter of Shang shu, where the Five Phases reestablished the confused world with a humanistic order. Second, it built the framework of a kind of philosophy of history, that is, the various cycling of the Five Phases. The cycle model adumbrated the inevitable rise and fall of dynasties. Third, it was taken to be a cognitive model shaping the framework of Chinese epistemology, as reflected in Xiao Ji's The Greater Significance of the Five Phases (Wuxing dayi). This article uses the theory of hierophany (the manifestation of the luminous). Hierophany and kratophany are the key terms in the philosophy of Mircea Eliade. According to Eliade's theories, the primitive Five Phases penetrated by the Power of the Sacred are full of the elements of the sacred, combining the almighty and an existential atmosphere. In essence, the Primitive Five Phases transform empirical nature into meaningful nature. This article further applies the concepts of material imagination of Gaston Bachelard and the archetype of C. G. Jung to the hypothesis of Five Phases. All elements of the Five Phases exist in the outer world, as well as in the process of the expression of inner ideas. The Five Phases as archetypical images combine and transform the physical images with spiritual feeling. Many images of water, tree, fire, earth, and metal appeared frequently in the canons of Daoist philosophers and of Confucian scholars. Five Phases notation is not the consequence of confused thinking, but a reasonable expression of the human psyche. |
本系統中英文摘要資訊取自各篇刊載內容。