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| 題 名 | 「海的制高點上」--論汪啟疆海洋詩作的象徵性=「Taking up the Commanding Point of the Sea」--A Research into the Symbolism in Wang Qijiang's Oceanic Poems |
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| 作 者 | 張歎鳳; | 書刊名 | 臺灣詩學學刊 |
| 卷 期 | 28 2016.11[民105.11] |
| 頁 次 | 頁29-46 |
| 專 輯 | 汪啟疆專輯 |
| 分類號 | 863.51 |
| 關鍵詞 | 汪啟疆; 海洋詩; 原型; 象徵; 碎片化; Wang Qijiang; Oceanic poems; Archetype; Symbolism; Fragmentization; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 臺灣「創世紀」詩社「中生代」詩人汪啟疆的海洋現代派詩作,在臺灣文壇引人注目。與以前海洋詩創作有所不同,汪啟疆超越了海岸眺望、借光借景式的感性抒發,是海洋生命體驗的深度乃至極度書寫,是海上生活的靈魂絮語與精神建構,從中多有原型象徵意味。身份衝突與日常題材、語言碎片化的寫作嘗試,強化了作品的隱喻性與藝術追求。他是一名值得重視的海洋詩人 |
| 英文摘要 | As a representative of the 「middle generation」 of the 「Genesis」 Poets' Club in Taiwan, Wang Qijiang's modernist oceanic poems stand distinctively out in the world of letters in Taiwan. Different from the previous oceanic poets, Wang Qijiang transcends the emotional writing such as looking out along the seashore, and describing the oceanic scenes to express the inner feeling of the poet, which is the profound or rather the ultimate writing of the oceanic experiences and the psychic discourse and spiritual construction of the oceanic life mainly with a touch of archetypal symbols. The writing attempts of identity conflicts, daily and trivial themes, and linguistic fragmentization intensify the metaphoric characteristics and artistic pursuit of the work. No doubt, he is an oceanic poet, worthy of attention |
本系統中英文摘要資訊取自各篇刊載內容。