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題 名 | 青之所寄與色之所調--試論楊熾昌詩作的青色美學=Cyan Aesthetics of Yang Chi-Chang's Modern Poetry |
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作 者 | 李桂媚; 王文仁; | 書刊名 | 臺灣詩學學刊 |
卷 期 | 27 2016.05[民105.05] |
頁 次 | 頁97-130 |
分類號 | 821.88 |
關鍵詞 | 楊熾昌; 水蔭萍; 超現實主義; 色彩意象; 青色; Yang Chi-Chang; Shui-Yin-Ping; Surrealism; Color image; Cyan; |
語 文 | 中文(Chinese) |
中文摘要 | 作為日治時期具代表性的超現實主義詩人,楊熾昌的詩作所展現出的色彩意象裡,以「青色」最能顯現其個人特色。本文藉由色彩學的相關學說,專注於探索楊熾昌詩作中的「青」,透過一連串的分析可以發現,他經常使用的青色象徵意涵可概括為四種:一是生命力的展現,二是自由與流動,三是憂鬱與憂傷,四是聖潔的形象。此外,當青色與紅色、白色及多種色彩一同使用時,也顯現出熱情、蒼白與神秘的特色。整體來說,楊熾昌筆下的「青」具有豐富的色彩意涵,時而象徵生命,時而表現自由與律動感,時而又隱喻著憂愁,或是宗教意涵。這樣豐富的色彩表現,也為他的詩作增添更厚實的內涵 |
英文摘要 | As the foremost surrealist poet during the Japanese occupation period in Taiwan, Yang Chi-Chang was defined by the Cyan color imagery expressed in his poetry. By using related theories on color, this article focuses on exploring the color of cyan within his poetry, through a dozen of analyses, one finds that this color portrays four meanings: sublime of life, freedom and fluidity, moroseness and depression, image of virtue. Furthermore, when cyan, red, white and many colors used together, it also shows characteristic of passion, paleness, and mysticism. In all, Yang Chi-Chang’s cyan brings about vitality, liberty and rhythm, sorrow at times, or even religious meanings. The vivid expressions of color also add connotations to his poetry |
本系統中英文摘要資訊取自各篇刊載內容。