頁籤選單縮合
題名 | 「金閣寺」煉金意識與意象之研究--小說、電影與未命名文本=A Study of the Alchemical Consciousness and Images of the "Temple of the Golden Pavilion": Fiction, Film and the Unnamed Text |
---|---|
作者 | 余季音; | 書刊名 | 新竹教育大學人文社會學報 |
卷期 | 9:2 2016.10[民105.10] |
頁次 | 頁27-58 |
分類號 | 861.57 |
關鍵詞 | 三島由紀夫; 市川崑; 陰影; 集體潛意識; 煉金術; Mishima Yukio; Ichikawa Kon; Shadow; Collective unconsciousness; Alchemy; |
語文 | 中文(Chinese) |
中文摘要 | 1950年坐落於日本京都市北區的知名古剎「金閣寺」,為寺內一名見習僧人縱火焚毀。作家三島由紀夫以此事件為基礎,於1956年發表了傳世的《金閣寺》小說,1958年導演市川崑則以電影《炎上》再度闡述金閣寺的故事。本文指出金閣寺事件與創作活動間的煉金術意象,以榮格心理學中的概念,將小說與電影文本視為此「火燒金閣寺」抽象概念的不同象徵版本。論文首先簡要探討《金閣寺》小說中闡釋的崇高美學,接著解析文本深處暗流的陰影、融合、集體潛意識、自性、煉金術意象等觀念,如何趨近一種個體與藝術心靈的結局;並兼論電影《炎上》,作為另一個對照的個體心靈,以影像分析為基礎,申論電影文本如何透過客觀的方式、二元的觀點展現之不同心靈結構;文末則將綜論文本的煉金與昇華,在此,文本可以是事件、小說、電影、甚至先於一切而無以名狀的抽象心靈,詮釋金閣寺所代表的創作心靈生命週期。 |
英文摘要 | Located in Kita-Ku of Kyoto City, Japan, the famous ancient Temple of the Golden Pavilion was destroyed in an arson by a novice monk in 1950. Basing his story on this event, the writer Mishima Yukio published his masterpiece, The Temple of the Golden Pavilion, in 1956. In 1958, the director Ichikawa Kon re-narrated the story of the Golden Pavilion in his film, Enjo. This paper points out the alchemical images between the event of the Temple of the Golden Pavilion and creative activities; by making use of the concepts in Jungian psychology, it treats the fiction and film as different symbols of this abstract mind of “the burning of the Golden Pavilion Temple.” It first concisely investigates the sublime aesthetics expounded in the fiction of The Temple of the Golden Pavilion, and then explains how the ideas of shadow, coniunctio, collective unconsciousness, self and the image of alchemy in the deep undercurrents of the text approach the consummation of an individual and artistic mind. In addition, it also discusses the film, Enjo, as another individual mind for comparison; the discussion is based on image analysis, explaining how the film text exhibits a different mind structure by means of an objective method and dualistic viewpoints. The final part of the paper offers a general discussion on the alchemy and sublimation of the text; and here, the text can be an event, a fiction, and a film, or even the abstract mind that precedes everything, interpreting the life cycle of the creative mind represented by the Golden Pavilion Temple. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。