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題名 | 論「時尚越劇」《春琴傳》之「唯美」與消費性=Examining "Aestheticism" and Consumerism in the "Fashion Yue Opera" The Story of Chunqin |
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作者 | 朱昕辰; | 書刊名 | 雲漢學刊 |
卷期 | 33 2016.08[民105.08] |
頁次 | 頁23-55 |
分類號 | 982.5 |
關鍵詞 | 春琴傳; 春琴抄; 唯美主義; 時尚; 文化消費; The Story of Chunqin; A Portrait of Shunkin; Aestheticism; Fashion; Cultural consumption; |
語文 | 中文(Chinese) |
中文摘要 | 浙江小百花越劇團新創劇目《春琴傳》自2006於杭州大劇院首演開始,就飽受文化界與學術界的爭議。該劇改編自日本作家谷崎潤一郎寫於上世紀30年代的唯美派經典文學作品《春琴抄》。該劇自從上演之來,不僅受到政府的大力支持,多次榮獲省級國家級的獎項,更獲得票房奇跡。本論文將越劇《春琴傳》納入更大的跨文化比較以及文化消費的框架內進行考察,重視越劇《春琴傳》對原著《春琴抄》內在的「唯美主義」元素的處理,并剖析創作者運用此番改編策略的文化緣由和商業考量,進而參照後現代文化消費相關理論來分析此劇的「唯美主義」與中國當代消費文化的互動關係。 |
英文摘要 | In 2006, the new yueopera The Story of Chunqinby Zhejiang Xiaobaihua Yue Opera Troupe was first shown in Hanzhou Grand Theatre. Its debut has receivedwidespread attention from scholars.This yueopera is adapted from one of the Japanese writer Junichiro Tanizak’s 1930s’ classic aestheticism works --A Portrait of Shunkin. This yue opera was not only greatly supported and rewarded by China’s government, but also won a successful box office result. This article will examine the yueopera The Story of Chunqinfrom the perspectives of intercultural comparison and culturalconsumption and pay attention to the operation of the yue opera for the elements of “aestheticism” in its original work A Portrait of Shunkin. In this way, I will explore the cultural and economic aspects of adaptation strategy by the yueopera production team, and further analyse how “aestheticism” of this yue opera interacted with culturalconsumption in comtemporary China from the theory of post-modernist culturalconsumption. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。